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William Morris and his Palace of Art
William Morris and his Palace of Art is a comprehensive new study of Red House, Bexleyheath; the only house commissioned by William Morris and the first independent architectural work of his close friend, Philip Webb. Morris moved in to Red House as an ebullient young man of 26, with an independent income and a head brimming with ideas and the persistent question of ‘how best to live? Red House, together with its Pre-Raphaelite garden, stands as the physical embodiment of his exuberant spirit, youthful ambition, passionate medievalism, creativity and great sense of possibility. For five intense years from 1860–5, it was a place of halcyon days – happy family life, loyal friendship, goo...
Mindfulness in Wild Swimming
Mindfulness in Wild Swimming explores how swimming in rivers, lakes and seas is the epitome of conscious living, guiding the reader through practical mindful exercises and technique tips, and reveals how wild swimming can be the ultimate physical meditation.
Too Wild to Tame
Opposites attract in this steamy romantic comedy from the No.1 New York Times bestselling author of Hook, Line & Sinker. A buttoned-up businessman and a gorgeous wild-child . . . what happens when opposites definitely attract? By day, Aaron Clarkson suits up, shakes hands and acts the perfect gentleman. At night, behind bedroom doors, the tie comes off and the real Aaron comes out to play. But he knows that if he wants to work for the country's most powerful senator, he'll have to keep his eye on the prize. That's easier said than done, though, when he meets the senator's daughter. She's wild, gorgeous and 100 per cent trouble. Grace Pendleton is the black sheep of her family. Yet while Aaron's presence reminds her of a past she'd rather forget, something in his eyes keeps drawing her in. Maybe it's the way his voice turns her molten. Or maybe it's because deep down inside, the ultra-smooth, polished Aaron Clarkson might be more than even Grace can handle . . . 'One of my all-time favourite authors!' Sally Thorne, author of The Hating Game
How to Catch a Wild Viscount
She’s on the hunt for a hero… Luke Trenton, Viscount Merritt, returned from war a changed man. Battle stripped away his civility and brought out his inner beast. There is no charm or tenderness in him now; only dark passions and a hardened soul. He has nothing to offer the starry-eyed, innocent girl who pledged her heart to him four years ago. But Cecily Hale isn’t a girl any longer. She’s grown into a woman—one who won’t be pushed away. She and Luke are guests at a house party when a local legend captures their friends’ imaginations. While the others plunge into the forest on a wild goose...er, stag chase, Cecily’s on the hunt for a man. She has only a few moonlit nights to reach the real Luke…the wounded heart she knows still beats inside the war-ravaged body…or she could lose him to the darkness forever. This is a novella of approximately 20,000 words, or 80 pages. It was originally published under the title The Legend of the Werestag.
Follow Me Home
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Tessa's Trust
When the shoe drops, it always hits her on the head Tessa Albertini has spent much of her life guest-starring in other people's stories. Her older sister is a type-A personality who creates opportunities like other people build hopes, and her younger sister finds trouble like it's an integral strand of her DNA. Finally Tessa's hard work and sacrifice allow her to open that restaurant she's been dreaming about since she was a young teenager working her butt off, regardless of the obstacles now slamming into her. There's an advancing enemy who doesn't want Tessa to succeed in business, while Nonna Albertini is determined she'll succeed in love, no matter how much meddling it takes. Finally, Nick Basanelli, the most arrogant and sexy man she has ever met, zeroes his formidable focus into actually courting her—and that's before he discovers she’s in danger and morphs into overprotective alpha male mode. While a family's middle child is supposedly a peacemaker, the world is about to discover that when pushed far enough, Tessa is willing to go to war.
William Morris & Red House
Red House occupies an extraordinary place in British architectural history. It was the first and only house that William Morris ever built. It was the first independent architectural commission from his friend, Philip Webb. The challenge of furnishing the house inspired Morris to found the design firm of Morris & Co. It had a great influence on the Arts & Crafts Movement. But it is also a house that captured William Morris's heart. He was only twenty-five when, in 1858 he decided to buy the site at Bexleyheath, just outside London, but in a rural Kentish setting. He had recently married Jane Burden, daughter of an Oxford ostler, whose particular beauty became inspiration for so much pre-Raph...
The Trouble with Tessa
After Tessa's father inexplicably makes her change her summer plans, she spends the summer wondering what he is hiding, experimenting with magic spells, and making a new friend.
The Witch Trials
How can you trust anyone when you've been lied to by everyone? Rowan Ever since my best friend's brother was murdered by a vampire, all I’ve wanted is to be a Warden — the police force of the Coven. The only thing left to do is coach another witch through her Trials so she can prove her loyalty and join the Coven. Sounds easy, right? Yeah, I thought so too, until I realized she has no idea she’s a witch. We’ve only got a few months before the Summer Solstice when she’ll be assigned her first Trial. That’s not nearly enough time to teach her everything I know about magic, but it’ll have to be if I ever want to see my dream come true: to protect those I care about most. Mirren So...
The Cambridge Companion to William Morris
In his short life, William Morris (1834-96) combined the roles of poet, author, painter, designer, translator, lecturer, political activist, journalist, weaver, bookmaker, and businessman. This volume draws together influential voices from different disciplines who have participated in the recent critical, political, and curatorial revival of his work, with essays exploring the contemporary resonance of his exceptional legacy. As a critic of capitalism, his thinking has thrived in these years of financial crisis; as a theorist of work and craftsmanship, his legacy interacts with a more recent ethics of making that questions the values of 'off-shored' production; and as a protector of landscape and buildings Morris's concern with what is precious strikes a chord in our age of environmental crisis. At the same time, a careful and scholarly approach observes the particularity of Morris's context, in a way that confounds the 'false friends' of hasty historical reception and reveals unexpected connections.
