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Meine kreative Lieblingsfarbe KORALLE
Dieses Buch hält viele originelle Projekte bereit, die sich allesamt um die Farbe Koralle drehen. Von Wollarbeiten über DIY-Ideen bis hin zu Einrichtungstipps können sich kreative Köpfe nach Herzenslust austoben. Stricken, Häkeln, Basteln, Gestalten - hier ist für alle etwas dabei! Der ausführliche Theorieteil zum Thema Farblehre gibt zudem aufschlussreiche Infos über Farben und ihre Wirkung.
Meine kreative Lieblingsfarbe MINT
Dieses Buch hält viele originelle Projekte bereit, die sich allesamt um die Farbe Mint drehen. Von Wollarbeiten über DIY-Ideen bis hin zu Einrichtungstipps können sich kreative Köpfe nach Herzenslust austoben. Stricken, Häkeln, Basteln, Gestalten - hier ist für alle etwas dabei! Der ausführliche Theorieteil zum Thema Farblehre gibt zudem aufschlussreiche Infos über Farben und ihre Wirkung.
Integrale Linguistik
Integrale Linguistik honour the life and work of Helmut Gipper. Part I covers the History of Linguistics (Hennig Brinkmann, Eugenio Coseriu, Hartwig Franke & Kristina Franke, Johannes Lohmann, Gerold Ungeheur); Part II Theory of Linguistics (Karl-Otto Apel, Edeltraud Bülow, Shirô Hattori, Ladislaus Hojsak, Alfred Hoppe, Werner Ingendahl, H. Joachim Neuhaus, Guram Ramischwili, Adam Schaff, Maximilian Scherner, Hans Schwarz); Part III Speech Analysis (Werner Abraham, Hartmut Beckers, Bernhard Engelen, Horst Geckeler, Johann Knobloch, Ekkehart Malotki, Peter Schmitter, Karl Schneider, Rudolf Schützeichel, Andrea Stahlschmidt); Part IV Interdisciplinary Aspects of Linguistic Research (Hugo Dyserinck, Günter Heintz, Anton Leischner, Beate Marquardt, Thomas A. Sebeok, Leo Weisgerber, Gerd Wolandt). The volume ends with a complete bibliography of writings of Helmut Gipper. The language of this volume is German.
Adreßbuch Mannheim
None
(2014)
The purpose of the BIAS is, year by year, to draw attention to all scholarly books and articles directly concerned with the matière de Bretagne. The bibliography aims to include all books, reviews and articles published in the year preceding its appearance, an exception being made for earlier studies which have been omitted inadvertently. The present volume contains over 700 entries on relevant publications that were published in 2013.
Theodor Fontane and the European Context
On the centenary of Fontane’s death and at the turn of the century these essays take a new look at this supreme chronicler of Prussia and of the Germany that emerges after 1871. Written by scholars from different countries and disciplines, they focus on novels and theatre reviews from the perspectives of philosophy, sociology, comparative literature and translation theory, and in the contexts of topography and painting. Connections and crosscurrents emerge to reveal new aspects of Fontane’s poetics and to produce contrasting but complementary readings of his novels. He appears in the company of predecessors and contemporaries, such as Scott, Thackeray, Saar, Ibsen, Turgenev, but also in that of writers he has rarely, if ever, been seen beside, such as E.T.A. Hoffmann, Stendhal, Trollope, Henry James and Edith Wharton, Beckett and Faulkner. The historical novel and the social position of women are each a recurring focus of interest. Fontane emerges as receptive to other voices, as a precursor of developments in modern narrative, and confirmed as the novelist who brings the nineteenth-century German novel closest to the broad traditions of European realism.
Anatomy of Design
DIVAnatomy of Design dissects fifty examples of graphic design piece by piece, revealing an array of influences and inspirations. These pieces represent contemporary artifacts that are well conceived, finely crafted, and filled with hidden treasures. Some are overtly complex. Others are so simple that it is hard to believe there’s a storehouse of inspiration hidden underneath. The selections include all kinds of design work including posters, packages, and more. Each exhibit is selected for its ubiquity, thematic import, and aesthetic significance, and every page shows howgreat work is derived from various inspirational and physical sources, some well-known, some unknown./div
