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The Lady of Linshui
This anthropological study examines the cult of the Chinese goddess Chen Jinggu, divine protector of women and children. The cult of the "Lady of Linshui" began in the province of Fujian on the southeastern coast of China during the eleventh century and remains vital in present-day Taiwan. Skilled in Daoist practices, Chen Jinggu's rituals of exorcism and shamanism mobilize physiological alchemy in the service of human and natural fertility. Through her fieldwork at the Linshuima temple in Tainan (Taiwan) and her analysis of the narrative and symbolic aspects of legends surrounding the Lady of Linshui, Baptandier provides new insights into Chinese representations of the feminine and the role of women in popular religion.
The Lady of Linshui
This book is a detailed examination of a Chinese women's cult that confronts the dangers of pregnancy, childbirth, and childhood diseases.
Transforming the Void
Transforming the Void: Embryological Discourse and Reproductive Imagery in East Asian Religions considers paths to self-cultivation and salvation that are patterned on human embryological development or procreative imagery in the religions of China and Japan. Focusing on Taoism, Esoteric Buddhism, Shinto, Shugendō, and local religious traditions, the contributors to the volume provide new insight into how the body’s generative processes are harnessed as powerful metaphors for spiritual attainment. This volume offers an in-depth examination of the religious dimensions of embryology and reproductive imagery, topics that have been hitherto solely approached through the lens of the history of medicine. Contributors include: Brigitte Baptandier, Catherine Despeux, Grégoire Espesset, Christine Mollier, Fabrizio Pregadio, Dominic Steavu, Lucia Dolce, Bernard Faure, Iyanaga Nobumi, Anna Andreeva, Kigensan Licha, Gaynor Sekimori.
The Lady of Linshui Pacifies Demons
"The Lady of Linshui Pacifies Demons is a seventeenth-century novelistic account of the founding myth of the cult of the Lady of Linshui, the goddess of women, childbirth, and childhood, who is still venerated in Fujian, Taiwan, and other places in Southeast Asia. The goddess's story evolved from the life of Chen Jinggu in Ming dynasty Hunan and has taken the form of vernacular short fiction, legends, plays, sutras, and stele inscriptions at temples where she is worshipped. This "novel" was translated in consultation with Brigitte Baptandier, whose widely praised anthropological study of the goddess's popularity-The Lady of Linshui: A Chinese Female Cult-was published originally in French an...
China's Grandmothers
Over the past century and a half, China has experienced foreign invasion, warfare, political turmoil, and revolution, along with massive economic and technological change. Through all this change, there is one stable element: grandmothers, as child carers, household managers, religious devotees, transmitters of culture, and, above all, sources of love, warmth, and affection. In this interdisciplinary and longitudinal study, China's Grandmothers sheds light on the status and lives of grandmothers in China over the years from the late Qing Dynasty to the twenty-first century. Combining a wide range of historical and biographical materials, Diana Lary explores the changes and continuities in the lives of grandmothers through revolution, wars, and radical upheaval to the present phase of economic growth. Informed by her own experience as a grandchild and grandmother, Lary offers a fresh and compelling way of looking at gender, family, and ageing in modern Chinese society.
Millennial Capitalism and the Culture of Neoliberalism
The essays in Millennial Capitalism and the Culture of Neoliberalism pose a series of related questions: How are we to understand capitalism at the millennium? Is it a singular or polythetic creature? What are we to make of the culture of neoliberalism that appears to accompany it, taking on simultaneously local and translocal forms? To what extent does it make sense to describe the present juncture in world history as an “age of revolution,” one not unlike 1789–1848 in its transformative potential? In exploring the material and cultural dimensions of the Age of Millennial Capitalism, the contributors interrogate the so-called crisis of the nation-state, how the triumph of the free mar...
Demon Hordes and Burning Boats
Provides a lively description of how the cult of a popular plague-fighting deity named Marshal Wen arose and spread in late imperial China.
Masters of Psalmody (bimo)
In Masters of Psalmody (bimo) Aurélie Névot analyses the religious, political and theoretical issues of a scriptural shamanism observed in southwestern China among the Yi-Sani. Her focus is on blood sacrifices and chants based on a secret and labile writing handled only by ritualists called bimo. Through ethnographic data, the author presents the still little known bimo metaphysics and unravels the complexity of the local text-based ritual system in which the continuity of each bimo lineage relies on the transmission of manuscripts whose writing relates to lineage blood. While illuminating the usages of this shamanistic tradition that is characterized by scriptural variability between patrilineages, Aurélie Névot highlights the radical changes it is undergoing by becoming a Chinese state tradition.
Public Secrets, Public Spaces
Public Secrets, Public Spaces explores the possibility of symbolic public space in the context of Chinese cinema. Focusing especially on women, children, and the dispossessed, Stephanie H. Donald looks at the ways public space is constructed and occupied and how it interacts with Opublic secrets, O the unstated common-sense knowledges of everyday life, extraordinary to those who are not initiated into the routines of a particular cultural place and space. In traditional societies public secrets are organized through observable ritual; in modern societies they are embedded in the cultural discourse of the routine and the everyday. As we see in this perceptive book, film offers a rich medium for unearthing these secrets
Rage and Ravage
Written by one of the leading scholars of Japanese religion, Rage and Ravage is the third installment of a milestone project in our understanding of the mythico-ritual system of esoteric Buddhism—specifically the nature and roles of deities in the religious world of medieval Japan and beyond. Bernard Faure introduces readers to medieval Japanese religiosity and shows the centrality of the gods in religious discourse and ritual; in doing so he moves away from the usual textual, historical, and sociological approaches that constitute the “method” of current religious studies. Throughout, he engages theoretical insights drawn from structuralism, post-structuralism, and Actor-Network Theor...
