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The first comprehensive assessment of the diverse sexual practices of India: transsexual, homosexual and heterosexual.
Here are some broken lines, soaked and fermented in a city. Call them what you will-a scrapheap of reverie, monologue, dialogue, remnant, remainder. They nip at the mythic crow of Calcutta: its ancient mariner, the chronicler of its many lives. These 'fragments' are markers of time past and present, in a city that the writer touches and watches incessantly. She leaves it always to come back; its tales turn, but do not die. Close ones die, intimacies die and are reborn, homes die and are resurrected, or are found again elsewhere for a moment-or a lifetime. The crow, and the word, leave traces of this corporeal, fabular city on a hot and humid sky-ravaged, insouciantly tender, resilient. Calcutta, Crow and other fragments is Brinda Bose's debut chapbook. Bose grew up in Calcutta. She studied literature at Presidency College in the city, and then at Oxford and Boston universities. She currently teaches at the Centre for English Studies at Jawaharlal Nehru University, Delhi. She has written on literature and cinema, gender/sexualities, modernisms and the humanities; she reads a lot of poetry and would call this intrepid exercise its very distant, disinherited cousin.
"Postnational Feminisms: Postcolonial Identities and Cosmopolitanism in the Works of Kamala Markandaya, Tsitsi Dangarembga, Ama Ata Aidoo, and Anita Desai offers a significant contribution to the field of postcolonial and Third World feminist studies. It reevaluates the ways in which Third World women writers interrogate the relationship between woman and nation in the postcolonial context. Hena Ahmad brings forth the concept of "postnational feminism", which she deploys to show how these major writers challenge the role of women as signifiers of national cultures in their works. This innovative concept illuminates the ambivalence of these uniquely positioned writers as Ahmad explores the connection between postnationalism and Third World feminism." -- BOOK JACKET.
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Laurenz Volkmann is Professor of EFL Teaching at Friedrich Schiller University, Jena, where NAncy Grimm and Katrin Thomson also teach. Ines Detmers is a lecturer in English literature at the Technical University of Chemnitz. --Book Jacket.
Violent Belongings examines transnational South Asian culture from 1947 onwards in order to offer a new, historical account of how gender and ethnicity came to determine who belonged, and how, in the postcolonial Indian nation.
The debate on censorship in India has hinged primarily on two issues - the depiction of sex in the various media, and the representation of events that could, potentially, lead to violent communal clashes. This title traces the trajectory of debates by Indian feminists over the years around the issue of gender and censorship.
This highly original collection is a far cry from the demand on the literary humanities to offer the soothing hum of theory to a world of breaks, crises and pain. Instead, it exemplifies a way ahead for the critical humanities.... -Arjun Appadurai, New York University 'Doing the Humanities' comes to life in this passionate, provocative set of experiments in descriptive poetics. Failure, fantasy, freefall are reconceived as forms of aesthetic achievement across the creative arts.... -Ros Ballaster, University of Oxford ....This timely volume inspires a collective undertaking to learn 'to do' the humanities through the untimeliness of a work of art. A humanities that remains attentive to this ...