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The Love Child
'What was she? Not a child, for she was seventeen, and taller than Kitty: not a girl, for she floated like a feather, and flew into trees like a bird; not a spirit - she was human to touch. But to-night she was all made of mischief and magic, remote form him, and yet calling him to here . . .' At thirty-two, her mother dead, Agatha Bodenham finds herself quite alone. She summons back to life the only friend she ever knew, Clarissa, the dream companion of her childhood. At first Clarissa comes by night, and then by day, gathering substance in the warmth of Agatha's obsessive love until it seems that others too can see her. See, but not touch, for Agatha has made her love child for herself alone. No man may approach her elfin creation of perfect beauty. If he does, the love which summoned her can spirit her away . . . The Love Child (1927) was Edith Olivier's first novel, acknowledged as a minor masterpiece: a perfectly imagined fable and a moving and perceptive portrayal of unfulfilled maternal love.
Tea Is So Intoxicating
"I shall turn this into a tea-house, with lunches if requested, and shall serve pleasant meals in the orchard," announced David, "and with my penchant for cooking I ought to make a fortune." "Oh dear!" said Germayne. David Tompkins thinks it is a splendid idea to open a tea garden at his Kentish cottage. His wife, Germayne, is not so sure. The local villagers are divided on the matter, and not necessarily supportive, particularly Mr. Perch at the Dolphin, who sees it as direct competition to Mrs. Perch's own tea garden. It doesn't bode well when the official opening coincides with a break in the beautiful weather. Things are further complicated by the arrival of the "cake cook" Mimi, a Vienn...
Women Writers and Old Age in Great Britain, 1750-1850
This groundbreaking study explores the later lives and late-life writings of more than two dozen British women authors active during the long eighteenth century. Drawing on biographical materials, literary texts, and reception histories, Devoney Looser finds that far from fading into moribund old age, female literary greats such as Anna Letitia Barbauld, Frances Burney, Maria Edgeworth, Catharine Macaulay, Hester Lynch Piozzi, and Jane Porter toiled for decades after they achieved acclaim -- despite seemingly concerted attempts by literary gatekeepers to marginalize their later contributions. Though these remarkable women wrote and published well into old age, Looser sees in their late caree...
Shelf Life
"Without answering in detail, I shall assume that the book-buyer is a book-lover, that his love is a tenacious, not a transitory love, and that for him the question is how best to keep his books."--W.E. GladstoneBooks; reading, collecting and the physical housing of them has brought the book-lover joy - and stress - for centuries. Fascinated writers have tried to capture the particular relationships we form with our library, and the desperate troubles we will undergo to preserve it. With Alex Johnson as your guide, immerse yourself in this eclectic anthology and hear from an iconic Prime Minister musing over the best way to store your books and an illustrious US President explaining the best works to read outdoors. Enjoy serious speculations on the psychological implications of reading from a 19th century philosopher, and less serious ones concerning the predicament of dispensing with unwanted volumes or the danger of letting children (the 'enemies of books') near your collection.
Portrait of a Murderer
Mystery crime fiction written in the Golden Age of Murder "Golden age fans will be enthralled." —Publishers Weekly STARRED review 'Adrian Gray was born in May 1862 and met his death through violence, at the hands of one of his own children, at Christmas, 1931.' Thus begins a classic crime novel published in 1933 that has been too long neglected—until now. It is a riveting portrait of the psychology of a murderer. Each December, Adrian Gray invites his extended family to stay at his lonely house, Kings Poplars. None of Gray's six surviving children is fond of him; several have cause to wish him dead. The family gathers on Christmas Eve—and by the following morning, their wish has been granted. This fascinating and unusual novel tells the story of what happened that dark Christmas night; and what the murderer did next.
Contemporary British Women Writers
Essays illustrating the range and diversity of post-1970 British women writers. Despite the enduring popularity of contemporary women's writing, British women writers have received scant critical attention. They tend to be overshadowed by their American counterparts in the media and have come to be represented within the academy almost exclusively by Angela Carter and Jeanette Winterson. This collection celebrates the range and diversity of contemporary (post-1970) British women writers. It challenges misconceptions about the natureand scope of fiction by women writers working in Britain - commonly dismissed as parochial, insular, dreary and domestic - and seeks to expand conventional definitions of "British" by exploring how issues of nationality intersectwith gender, class, race and sexuality. Writers covered include Pat Barker, A.L. Kennedy, Maggie Gee, Rukhsana Ahmad, Joan Riley, Jennifer Johnston, Ellen Galford, Susan Hill, Fay Weldon, Emma Tennant, and Helen Fielding. Contributors: DAVID ELLIS, CLARE HANSON, MAROULA JOANNOU, PAULINA PALMER, EMMA PARKER, FELICITY ROSSLYN, CHRISTIANE SCHLOTE, JOHN SEARS, ELUNED SUMMERS-BREMNER, IMELDA WHELEHAN, GINA WISKER.
O, the Brave Music
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Chatterton Square
A sharp an insightful observation of marriage and families, this layered story focuses on the neighbouring households of the Blacketts and the Frasers. The developing allegiance between the spirited Rosamund and the dutiful Bertha subtly exposes the realities of their marital experiences and desires.
Introduction to Sally
A Pygmalion-style story told with von Arnim's characteristic wit and charm, this novel introduces us to Salvatia (known as Sally), a much longed-for child to humble shopkeepers. Sally grows up to be an extremely beautiful girl, attracting the attentions of every man who sees her. When her mother dies, her father decides it is just too difficult to defend her virtue and marries her to the first man who proposes. But Jocelyn is about to learn a lesson in marrying for looks alone. The two are from very different classes and have nothing in common: beauty can only bridge the gap so far. Meanwhile, his mother is being pursued by her own unsuitable suitor - debating if she can tolerate his crass p...
One Year's Time
Liza thought, we can't go on if we're not married. We're marking time. When we were in London and he went out in the evenings, I was jealous if it was a woman, and if it was a man I was resentful, and I thought, he doesn't want me to meet his friends. And when I did, either I was his girl friend or some one he had known a long time and would never be in love with, according to the occasion. And all the time I was waiting to be me. It's New Year's Day and Liza is painting her floor. Walter, who she met at the party the night before, arrives unexpectedly, and they immediately start a sexual relationship, dividing their nights between his flat and hers. The relationship continues through the co...
