You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Sacred Thresholds. The Door to the Sanctuary in Late Antiquity offers a far-reaching account of boundaries within pagan and Christian sanctuaries: gateways in a precinct, outer doors of a temple or church, inner doors of a cella. The study of these liminal spaces within Late Antiquity – itself a key period of transition during the spread of Christianity, when cultural paradigms were redefined – demands an approach that is both interdisciplinary and diachronic. Emilie van Opstall brings together both upcoming and noted scholars of Greek and Latin literature and epigraphy, archaeology, art history, philosophy, and religion to discuss the experience of those who crossed from the worldly to the divine, both physically and symbolically. What did this passage from the profane to the sacred mean to them, on a sensory, emotive and intellectual level? Who was excluded, and who was admitted? The articles each offer a unique perspective on pagan and Christian sanctuary doors in the Late Antique Mediterranean.
None
Alice-Mary Talbot has profoundly influenced Byzantine Studies in America and Europe, focusing her scholarship upon the social context of Byzantine religious practices. As Director of Byzantine Studies at Dumbarton Oaks and as editor of Dumbarton Oaks Papers, she touched the professional lives of senior and junior Byzantinists alike. This collection of twenty-five articles from scholars associated with her at various stages in her career compasses such varied disciplines as art history, social history, literature, epigraphy, numismatics and sigillography; contributions are grouped in three related sections: “Women,” “Icons and Images,” and finally “Texts, Practices, Spaces.” Illus...
This carefully crafted ebook: "He Knew He Was Right (The Classic Unabridged Edition)" is formatted for your eReader with a functional and detailed table of contents. He Knew He Was Right is a novel written by Anthony Trollope which describes the failure of a marriage caused by the unreasonable jealousy of a husband exacerbated by the stubbornness of a wilful wife. As is common with Trollope's works, there are also several substantial subplots. Trollope makes constant allusions to Shakespeare's Othello throughout the novel. A wealthy young English gentleman, Louis Trevelyan, visits the fictional Mandarin Islands, a distant British possession, and becomes smitten with Emily Rowley, the eldest ...
He Knew He Was Right is a novel written by Anthony Trollope which describes the failure of a marriage caused by the unreasonable jealousy of a husband exacerbated by the stubbornness of a wilful wife. As is common with Trollope's works, there are also several substantial subplots. Trollope makes constant allusions to Shakespeare's Othello throughout the novel. A wealthy young English gentleman, Louis Trevelyan, visits the fictional Mandarin Islands, a distant British possession, and becomes smitten with Emily Rowley, the eldest daughter of the governor, Sir Marmaduke Rowley. The Rowleys accompany Trevelyan to London, where he marries Emily. When the rest of the family goes home, Emily's sist...
In 'The Complete Works of Anthony Trollope', readers are provided with a comprehensive collection of Trollope's literary works, including novels, short stories, plays, articles, essays, and memoirs. Trollope's writing style is characterized by his precise observations of Victorian society and his keen insights into human nature. His novels often explore themes of love, power, and social class, making them both entertaining and thought-provoking reads. Trollope's works are an important contribution to the Victorian literary canon, capturing the complexities of the time period with wit and nuance. This collection allows readers to delve into the full range of Trollope's literary talents and ex...
Anthony Trollope's 'He Knew He Was Right' is a masterpiece of Victorian literature, diving into themes of jealousy, marriage, and trust. Trollope's intricate storytelling weaves a complex narrative that delves into the intricacies of human relationships. The book is written in Trollope's signature eloquent and detailed style, allowing readers to fully immerse themselves in the world he creates. Set in the 19th century, the novel also offers a glimpse into the social norms and values of the time, making it a fascinating read for those interested in historical fiction. Anthony Trollope, a prolific Victorian writer, drew inspiration from his own experiences working for the postal service, bring...
A wealthy young English gentleman, Louis Trevelyan, visits the fictional Mandarin Islands, a distant British possession, and becomes smitten with Emily Rowley, the eldest daughter of the governor, Sir Marmaduke Rowley. The Rowleys accompany Trevelyan to London, where he marries Emily. When the rest of the family goes home, Emily's sister Nora remains behind, under Trevelyan's protection. The marriage is initially a happy one and the couple have a baby boy. Then a seemingly minor matter undermines their marriage. Colonel Osborne, an old friend of Sir Marmaduke's, visits Emily much too frequently for her husband's taste. Though nothing improper occurs, Trevelyan orders his wife to avoid the man in future. Emily resents his lack of trust and makes no attempt to hide it. From that point, their relationship starts deteriorating.
The focus of the book is a particular region of the Byzantine Empire, Cappadocia, within Anatolia, in the centre of what is now Turkey. Its history as a part of this confederation of territories coincides with the medieval period in Europe. This monograph deals with various aspects of the province; it begins with its environment and climate, goes to some of its institutions and buildings, and ends with the paintings which the art-ists employed to decorate the latter, as well as with a particular type of inscriptions (those along the frontiers). It also considers education in Cappadocia during the Byzantines. The study is a scholarly/professional work that draws on the author's current research as well as on the material which the author developed in the last four years while teaching for the University of Ox-ford.
Tracing the Gospel text from script to illustration to recitation, explores the ritual and architectural context of illuminated manuscripts.