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In February 1978, the L=A=N=G=U=A=G=E newsletter, founded and edited by Charles Bernstein and Bruce Andrews, established the first public venue for the thriving correspondence of an emerging set of ambitious young poets. It circulated fresh perspectives on writing, politics, and the arts. Instead of poems, it published short essays and book reviews on the model of the private letter. It also featured extensive bibliographies and excerpts of cultural, social, and political theory. Bruce Andrews and Charles Bernstein’s L=A=N=G=U=A=G=E: The Complete Facsimile makes available in print all twelve of the newsletter’s original issues along with three supplementary issues.
Leonard Bernstein's Norton Lectures on the future course of music drew cheers from his Harvard audiences and television viewers. In the re-creation of his talks, the author considers music ranging from Hindu ragas through Mozart and Ravel to Copland, Shoenberg, and Stravinsky.
As the Great Depression touched every corner of America, the New Deal promoted indigenous arts and crafts as a means of bootstrapping Native American peoples. But New Deal administrators' romanticization of indigenous artists predisposed them to favor pre-industrial forms rather than art that responded to contemporary markets. In A New Deal for Native Art, Jennifer McLerran reveals how positioning the native artist as a pre-modern Other served the goals of New Deal programs—and how this sometimes worked at cross-purposes with promoting native self-sufficiency. She describes federal policies of the 1930s and early 1940s that sought to generate an upscale market for Native American arts and ...
From those curious or beginning their Spiritual journey, to those already advanced, this book contains information everyone needs to know. We tend to question ourselves in moments of confusion, disappointment, or despair, and especially after we've made choices that didn't turn out like we'd hoped. The problem is this: many are missing some critical information. With understanding and application of this information, better choices can be made leading to better outcomes: extraordinary experiences, new levels of awareness, and access to life-altering wisdom. Answers to the deepest questions become available, equipping people to transform their lives. "Discovering Your God Self... The Incredib...
This book examines collecting around the world and how women have participated in and formed collections globally. The edited volume builds on recent research and offers a wider lens through which to examine and challenge women’s collecting histories. Spanning from the seventeenth century to the twenty-first (although not organized chronologically) the research herein extends beyond European geographies and across time periods; it brings to light new research on how artificiallia and naturallia were collected, transported, exchanged, and/or displayed beyond Europe. Women, Collecting and Cultures Beyond Europe considers collections as points of contact that forged transcultural connections ...
The first ""final"" version of a never-ending project, a bibliography of conceptual literature - not just appropriation-based conceptualism, but also relatively ""rigorous"" forms of flarf, concrete poetry and so on. Like the editors of the anthology ""I'll Drown My Book: Conceptual Writing by Women,"" I consider a more inclusive definition. At least in my version (and I invite other people to continue it if they can/want to), there are more than a thousand books and hundreds of authors included from different countries, nationalities, genders - as different as it is possible for now, of course. Authors are sorted alphabetically, books by the same author chronologically. More about the process and about my views on conceptualism can be found in the opening of the book. For free PDF check http: //khora-impex.com/. P.S. The file of v1.0 did not make it through Lulu printers, sorry to those of you who ordered it. This (sadly, b&w) version contains corrections and additions.