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Flash (Back) Forward is a reproduction of the Flash Forward (Emerging Photographers From 2010) catalogue. The text of the Flash Forward exhibition catalogue has been reproduced accurately, but no photographs have been included. Each image or graphic device has been substituted with its linguistic equivalent.
This book provides photographers with the foundation to craft more compelling photos from concept all the way through to creation and distribution, on the path to making a living. Based on real-life practice and experience, former National Geographic and White House visual editor, Mike Davis, takes readers on a journey starting with addressing the motivation behind an image and how this determines the rest of the creative process. He goes on to articulate best technical practices to create the narrative through photo composition and what to do with your work after the photos are completed. Each section offers exercises for applied learning and a series of appendices cover assignments structures, a compilation of critical words and concepts, a comprehensive resource guide of organizations, competitions, grants, collectives and agencies, book publishers and printers, and more. This is an ideal resource for students and practitioners alike to gain a more informed understanding of photographic expression and learn how to effectively execute these visions.
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This is a journey through 12 modern ghettos, starting in a refugee camp in Tanzania and ending in a forest in Patagonia. In each of these places, Adam Broomberg and Oliver Chanarin, as editors and photographers of Colors magazine, methodically documented their inhabitants, and asked them the saine questions : How did you get here ? Who is in power ? Where do you go to be alone ? To make love ? To get your teeth fixed ? For many of those photographed it was their first time in front of a camera. Some looked into it with a Nard, penetrating gaze. Others obeyed the rituel of photography with smiles. And Mario, on the cover, turned his back on the camera and waited for the shutter to click.
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Revised to include coverage of digital images, this text progresses logically from describing criticism in general to describing photographs, interpretation, judging, to an understanding of photographic theory.
At a critical point in the development of photography, this book offers an engaging, detailed and far-reaching examination of the key issues that are defining contemporary photographic culture. Photography Reframed addresses the impact of radical technological, social and political change across a diverse set of photographic territories: the ontology of photography; the impact of mass photographic practice; the public display of intimate life; the current state of documentary, and the political possibilities of photographic culture. These lively, accessible essays by some of the best writers in photography together go deep into the most up-to-date frameworks for analysing and understanding photographic culture and shedding light on its histories. Photography Reframed is a vital road map for anyone interested in what photography has been, what it has become, and where it is going.
Between September 3 and 11, 2005, photographer Larry Towell, accompanied by Southern novelist Ace Atkins, traveled along the coast of Alabama, Louisiana, and Mississippi, documenting the dramatic aftermath of Hurricane Katrina. Towell's are not loud news pictures, but haunting and poetic landscapes-many of them panoramas-as well as photographs that depict the lives of ordinary people amidst the devastation. It is an intimate, documentary record of the hurricane's impact and a tribute to human endurance. For his afterword, Ace Atkins revisits the scenes of Towell's photographs nine months on, reflecting on how the communities of the coast have been able to rebuild their lives.
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Introduction by Julian Dibbell. Text by Tracy Spaight.