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Text by Dumont, Bruno.
A new book in the Cinema series from Dis Voir that considers the careers of some of today's finest international filmmakers. Past volumes have been on Wong Kar Wai and Atom Egoyan, and this volume features French director Bruno Dumont, whose two feature films and many short films have earned him international acclaim.
Modern France is an up-to-date and accessible introduction to the nature of French society at the end of the twentieth century. The book examines the transition of France and French life as the nation moves from an industrial to a post-industrial economy, and the cultural and social dislocations that such an evoltuion implies. Sociological concepts and categories of class, race, gender, age and region are discussed as well as how they combine together to produce inequalities and identities. These concepts are then applied to a range of issues such as work, politics, education, health, religion and leisure. Modern France reveals the nature of French society at a critical moment in her evolution and how a member of the European Union reflects distinctiveness and commonality in the development of Europe as a whole.
Maurice Potron (1872-1942), a French Jesuit mathematician, constructed and analyzed a highly original, but virtually unknown economic model. This book presents translated versions of all his economic writings, preceded by a long introduction which sketches his life and environment based on extensive archival research and family documents. Potron had no education in economics and almost no contact with the economists of his time. His primary source of inspiration was the social doctrine of the Church, which had been updated at the end of the nineteenth century. Faced with the ‘economic evils’ of his time, he reacted by utilizing his talents as a mathematician and an engineer to invent and...
Based on themes such as status and welfare, Old Age from Antiquity to Post-Modernity examines the role of the elderly in history. This empirical study represents a substantial contribution to both the historical understanding of old age in past societies as well as the discussion of the contribution of post-modernism to historical scholarship.
The idea of the centralized State has played a powerful role in shaping French republicanism. But for two hundred years, many have tried to find other ways of being French and Republican. These essays challenge the traditional account, bringing together new insights from leading scholars.
Recent work has focused on the politics of consumption and its manifestation in a number of situations. This volume extends these debates, providing a tighter focus and contributing to a noticeable gap in the field that numerous scholars are beginning to turn towards: that is, organizations of consumers themselves who have chosen to speak for all consumers and similar such bodies of experts which act on behalf of consumers. The volume is fortunate in drawing upon a number of scholars who are about to publish major works on the subject, but who are happy to provide summary versions of their work for the volume. The book pays particular attention to specific moments in consumer mobilization an...
The religious landscape in Europe is changing dramatically. While the authority of institutional religion has weakened, a growing number of people now desire individualized religious and spiritual experiences, finding the self-complacency of secularism unfulfilling. The "crisis of religion" is itself a form of religious life. A sense of complex, subterraneous interaction between religious, heterodox, secular and atheistic experiences has thus emerged, which makes the phenomenon all the more fascinating to study, and this is what Religion in Contemporary European Cinema does. The book explores the mutual influences, structural analogies, shared dilemmas, as well as the historical roots of such a "post-secular constellation" as seen through the lens of European cinema. Bringing together scholars from film theory and political science, ethics and philosophy of religion, philosophy of film and theology, this volume casts new light on the relationship between the religious and secular experience after the death of the death of God.
Un ensemble d'études et de réflexions sur la longue durée des rapports des chrétiens à la ville. Quatre parties : Investissement et réinvestissement du territoire urbain (Alexandrie, Cordoue, Rome) ; Identité chrétienne et pratiques culturelles (Antioche, Paris) ; La paroisse dans l'espace urbain (Laon, Rouen, Lyon, Le Havre) ; Réflexions historiographiques et nouvelles perspectives.
Jacques Tati's Monsieur Hulot, unmistakeable with his pipe, brolly and striped socks, was a creation of sheer slapstick genius that made audiences around the world laugh at the sheer absurdity of life. This biography charts Tati's rise and fall, from his earliest beginnings as a music hall mime during the Depression, to the success of Jour de Fete and Mon Oncle, to Playtime, the grandiose masterpiece that left the once delebrated director bankrupt and begging for equipment to complete his final films. Analysing Tati's singular vision, Bellos reveals the intricate staging of his most famous gags and draws upon hitherto inaccessible archives to produce a unique assessment of his work and its context for film lovers and film students alike.