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DEMOCRACY ON TRIAL
The great wartime leader, Winston Churchill, once remarked, “Democracy is the worst form of government, except for all those other forms that have been tried from time to time.” Democracy on Trial recounts the history of this progressive form of governance while comparing it to a competing form: absolutism. Today we see the results of this conflict: flourishing civilization on one hand and crushing despotism on the other. Dr. Lasso, from his own bitter experiences with the despotism of Panama’s dictator, shows us how today’s democracy was won and how it must be vigilantly earned. Dr. Lloyd Muller Historian
The Genoese in Spain
None
Quevedo and the Grotesque
Quevedo and the grotesque / J. Iffland.-v.2
Unspeakable Subjects
In readings that link works of Cervantes, Shakespeare, and Descartes with current debates in philosophy, psychoanalysis, and literary and cultural criticism, the author reassesses the grounds of literary and philosophical history as a materialist practice of eventful reading.
Millennial Cervantes
Millennial Cervantes explores some of the most important recent trends in Cervantes scholarship in the twenty-first century. It brings together leading Cervantes scholars of the United States in order to showcase their cutting-edge work within a cultural studies frame that encompasses everything from ekphrasis to philosophy, from sexuality to Cold War political satire, and from the culinary arts to the digital humanities. Millennial Cervantes is divided into three sets of essays—conceptually organized around thematic and methodological lines that move outward in a series of concentric circles. The first group, focused on the concept of “Cervantes in his original contexts,” features ess...
The Qurʼān in Sixteenth-century Spain
Contents Acknowledgements Introduction Language of the Texts Tapsir The Texts Glossary Photographs of the Texts Bibliography and Abbreviations
La Diana of Montemayor as Social and Religious Teaching
Jorge de Montemayor's great pastoral novel La Diana (1559), one of the fountainheads of Spanish Renaissance literature, has often been regarded as a work written merely to amuse an effete courtly world. Bruno M. Damiani argues here that, far from being simply a "pastoral dream," Diana has profound socio-historical and religious dimensions, and that Montemayor's intentions in it were largely moral and instructive. The timeless, idyllic nature which forms the essence of the pastoral is, in the case of Diana, inextricably bound up with the grace and sophistication of urban Spanish culture. Indeed, this study shows, Montemayor's shepherds and shepherdesses exist not in an imaginary Arcadian land...
