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Buddhist Art of Myanmar
A stunning showcase of exceptional and rare works of Buddhist art, presented to the international community for the first time The practice of Buddhism in Myanmar (Burma) has resulted in the production of dazzling objects since the 5th century. This landmark publication presents the first overview of these magnificent works of art from major museums in Myanmar and collections in the United States, including sculptures, paintings, textiles, and religious implements created for temples and monasteries, or for personal devotion. Many of these pieces have never before been seen outside of Myanmar. Accompanied by brilliant color photography, essays by Sylvia Fraser-Lu, Donald M. Stadtner, and sch...
Object as Insight
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Buddhism
A groundbreaking and lavishly-illustrated chronicle of Buddhist art and artefacts from the first century to the present, accompanied by stunning photographs that establish the significance of every piece in antiquity. Buddhism: A Journey through Art chronicles art and artefacts from the first to the twentieth century in a celebration of the artistic exchange of culture as Buddhism spread through Asia. Featuring a selection of over 300 of the most important works that exemplify a rich and diverse array of Buddhist art, each accompanied by stunning photographs, the book establishes the significance of every piece in antiquity, highlighting the stylistic and iconographic traits of the art objects as well as the distinctive features of their historical-cultural milieu. Buddhism: A Journey through Art showcases astonishingly diverse and exquisitely rendered artistic production in the Asian Buddhist world over two millennia. This important book showcases the magnificent array of visual mythology, sculpture, and iconography deriving from the various Buddhist communities found around the world.
The Lives of Chinese Objects
This is the biography of a set of rare Buddhist statues from China. Their extraordinary adventures take them from the Buddhist temples of fifteenth-century Putuo – China’s most important pilgrimage island – to their seizure by a British soldier in the First Opium War in the early 1840s, and on to a starring role in the Great Exhibition of 1851. In the 1850s, they moved in and out of dealers’ and antiquarian collections, arriving in 1867 at Liverpool Museum. Here they were re-conceptualized as specimens of the ‘Mongolian race’ and, later, as examples of Oriental art. The statues escaped the bombing of the Museum during the Second World War and lived out their existence for the next sixty years, dismembered, corroding and neglected in the stores, their histories lost and origins unknown. As the curator of Asian collections at Liverpool Museum, the author became fascinated by these bronzes, and selected them for display in the Buddhism section of the World Cultures gallery. In 2005, quite by chance, the discovery of a lithograph of the figures on prominent display in the Great Exhibition enabled the remarkable lives of these statues to be reconstructed.
Function and Meaning in Buddhist Art
What was the function of Buddhist art at the time Buddhism was a major religion in large areas of South, East, and South-East Asia? Can we establish what these sculptures and paintings meant to Buddhist believers living at a time when this art fulfilled important religious needs? These questions are discussed, not answered, in a volume about ‘Function and Meaning of Buddhist Art’ which contains the papers of a workshop on this theme held at Leiden University in 1991. While dealing with a variety of themes and subject-matter, sometimes in great detail, sixteen specialists focus on ritual and semantic aspects of Buddhist works of art from countries such as India, China, Japan, Tibet, Thail...
The Heritage of Buddhist Pāla Art
Buddhist art was not created primarily for aesthetic considerations. Most of the works of art were devoted to the revealing of the divine personality of the gods and goddesses. The present book attempts to present a sketch of Buddha's life as well as well-known and important gods and goddess as represented in the art of eastern India of which the Pala art was an important product. The present study will, it is hoped, unfold many unknown facts of Pala art to students of art. Besides, some of the regional factors are found determining the art forms of the extensive region of eastern India where the Pala art made itself felt in a big way. An impetus was given to new iconographic forms which inf...
Buddhist Ritual Art of Tibet
* First systematic review of Tibetan ritual art* Never-before-published Buddhist art objects* Written by expert on Tibetan art, Michael HenssTibetan Buddhist art is not only rich in figural icons but also extremely diverse in its symbols and ritual objects. This first systematic review is an abundantly illustrated reference book on Tibetan ritual art that aids our understanding of its different types and forms, its sacred meanings and ceremonial functions. Over eighteen chapters, several hundred different implements are documented in detail, in many cases for the first time and often in their various styles and iconographic forms: altar utensils and amulets, masks and mirrors, magic daggers and mandalas, torma sculptures and prayer objects, vajras and votive tablets, sacrificial vessels and oracle crowns, stupas and spirit traps, ritual vases, textiles, furniture, and symbolic emblems. These are accompanied by many historical and modern text sources, as well as rare recorded oral material from high-ranking Tibetan masters. This long-awaited handbook is a must-have for all those with a profound interest in Buddhist art and religion.
Collecting Paradise
Collecting Paradise features Buddhist objects, including manuscripts, paintings and sculptures in ivory, metal and wood, dating from the 7th to 17th centuries. With 44 objects, the exhibition presents an original and innovative look at art from the region of Kashmir and the Western Himalayas, as well as how it has been collected over time. The catalogue features essays by a leading scholar in the field, Robert Linrothe of Northwestern's Weinberg College of Arts and Sciences, with the support of Christian Luczanits of SOAS, University of London.
