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Byzantine Ecclesiastical Music
An excellent book for English-speaking students and teachers of Byzantine Music Notation. Its principles are according to referenced traditional teachers. Context includes practical exercises and theory in text book format.
Byzantine Hymnography and Byzantine Chant
A concise, brilliant survey of Byzantine hymnography.
Communion Chants of the Thirteenth-Century Byzantine Asmatikon
This is a complete edition with critical commentary of the Byzantine Communions in thirteenth-century manuscripts of the Asmatikon, all known sources being used. The chants concerned are the earliest known examples of Communion Chants of the Orthodox Church, and are found in a book which may go back to the rite of St Sophia at Constantinople during the tenth century-the earliest copies of which date from the thirteenth-century and come from South Italy and North Greece. Further more, there are also a few manuscripts from Kiev with text in Church Slavonic and an untranscribable musical notation. This is the first systematic transcription of the Asmatikon ever to be published.
Byzantine Chant
The contributors to this volume about Byzantine chant use different approaches to uncover the early development and transmission of the tradition, its constancy and permutations. Considerations include a recent attempt to establish a new date for the "Round notation", one of the earliest transcriptions, and an ethnomusicological study of a religious chant from the island of Zakynthos that may provide clues to specific features of medieval Byzantine intonations. Other articles deal with aspects of Byzantine chants from the 12th century, through the fall of the Empire in 1453 and into the 20th century. Musical examples throughout the text underscore the authors' theories and illuminate the beauty of the medium.
Cultural Transfer of Music between Byzantium and the West?
This is the first comprehensive study of Greek language ordinary chants (Gloria/Doxa, Credo/Pisteuo, Sanctus/Hagios and Agnus Dei/Amnos tu theu) in Western manuscripts from the 9th to 14th centuries. These chants – known as “Missa Graeca” – have been the subject of academic research for over a hundred years. So far, however, research has been almost exclusively from a Western point of view, without knowledge of the Byzantine sources. For the first time, this book presents an in-depth analysis of these chants and their historical, linguistic and theological-liturgical environment from a Byzantine perspective. The new approach enables the author to refute numerous (and largely contradictory) theories on the origin and development of the Missa Graeca and provides new answers to old questions.
Harvard Dictionary of Music
Contains nearly 1000 pages of precise and accessible information on all musical subjects.
