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I, Me, Mine
Beatrice Longuenesse presents an original exploration of our understanding of ourselves and the way we talk about ourselves. In the first part of the book she discusses contemporary analyses of our use of "I" in language and thought, and compares them to Kant's account of self-consciousness,especially the type of self-consciousness expressed in the proposition "I think." According to many contemporary philosophers, necessarily, any instance of our use of "I" is backed by our consciousness of our own body. For Kant, in contrast, "I think" just expresses our consciousness of beingengaged in bringing rational unity into the contents of our mental states. In the second part of the book, Longuene...
Kant on the Human Standpoint
In this collection of essays Béatrice Longuenesse considers the three aspects of Kant's philosophy, his epistemology and metaphysics of nature, his moral philosophy and his aesthetic theory, under one unifying standpoint: Kant's conception of our capacity to form judgements. She argues that the elements which make up our cognitive access to the world - what Kant calls the 'human point of view' - have an equally important role to play in our moral evaluations and our aesthetic judgements. Her discussion ranges over Kant's account of our representations of space and time, his conception of the logical forms of judgements, sufficient reason, causality, community, God, freedom, morality, and beauty in nature and art. Her book will appeal to all who are interested in Kant and his thought.
Kant and the Capacity to Judge
Kant claims to have established his table of categories or "pure concepts of the understanding" according to the "guiding thread" provided by logical forms of judgment. By drawing extensively on Kant's logical writings, Béatrice Longuenesse analyzes this controversial claim, and then follows the thread through its continuation in the transcendental deduction of the categories, the transcendental schemata, and the principles of pure understanding. The result is a systematic, persuasive new interpretation of the Critique of Pure Reason. Longuenesse shows that although Kant adopts his inventory of the forms of judgment from logic textbooks of his time, he is nevertheless original in selecting ...
Hegel's Critique of Metaphysics
Hegel's Science of Logic has received less attention than his Phenomenology of Spirit, but Hegel himself took it to be his highest philosophical achievement and the backbone of his system. The present book focuses on this most difficult of Hegel's published works. Béatrice Longuenesse offers a close analysis of core issues, including discussions of what Hegel means by 'dialectical logic', the role and meaning of 'contradiction' in Hegel's philosophy, and Hegel's justification for the provocative statement that 'what is real is rational, what is rational is real'. She examines both Hegel's debt and his polemical reaction to Kant, and shows in great detail how his project of a 'dialectical' logic can be understood only in light of its relation to Kant's 'transcendental' logic. This book will appeal to anyone interested in Hegel's philosophy and its influence on contemporary philosophical discussion.
The First Person in Cognition and Morality
What do we express when we use the first-person pronoun 'I' in phrases such as 'I think' or 'I ought to'? Do we refer to ourselves as biologically unique, socially determined individuals? Or do we express a consciousness of ourselves as the bearers of thoughts we share, or can share, with all other human beings whatever their particular biological, social, or cultural background? Every year the Faculty of Philosophy at the University of Amsterdam invites a prominent philosopher to occupy the Spinoza Chair and give two public lectures on a topic in philosophy. Beatrice Longuenesse, in these lectures, explores the contrast and complementarity between these two aspects of the use of 'I'. Her fi...
Kant and the Early Moderns
For the past 200 years, Kant has acted as a lens--sometimes a distorting lens--between historians of philosophy and early modern intellectual history. Kant's writings about Descartes, Leibniz, Locke, Berkeley, and Hume have been so influential that it has often been difficult to see these predecessors on any terms but Kant's own. In Kant and the Early Moderns, Daniel Garber and Béatrice Longuenesse bring together some of the world's leading historians of philosophy to consider Kant in relation to these earlier thinkers. These original essays are grouped in pairs. A first essay discusses Kant's direct engagement with the philosophical thought of Descartes, Leibniz, Locke, Berkeley, or Hume, ...
Self and World
Self and World is an exploration of the nature of self-awareness. Quassim Cassam challenges the widespread and influential view that we cannot be introspectively aware of ourselves as objects in the world. In opposition to the views of many empiricist and idealist philosophers, including Hume, Kant, and Wittgenstein, he argues that the self is not systematically elusive from the perspective of self-consciousness, and that consciousness of our thoughts and experiences requires a sense of our thinking, experiencing selves as shaped, located, and solid physical objects in a world of such objects. Awareness of oneself as a physical object involves forms of bodily self-awareness whose importance ...
Hegel's Critique of Metaphysics. Modern European Philosophy
Hegel's Science of Logic has received less attention than his Phenomenology of Spirit, but Hegel himself took it to be his highest philosophical achievement and the backbone of his system. The present book focuses on this most difficult of Hegel's published works. Beatrice Longuenesse offers a close analysis of core issues, including discussions of what Hegel means by 'dialectical logic', the role and meaning of 'contradiction' in Hegel's philosophy, and Hegel's justification for the provocative statement that 'what is actual is rational, what is rational is actual'. She examines both Hegel's.
The Idea of Form
Against the assumption that aesthetic form relates to a harmonious arrangement of parts into a beautiful whole, this book argues that reason is the real theme of the "Critique of Judgment" as of the two earlier "Critiques." Since aesthetic judgment of the beautiful becomes possible only when the mind is confronted with things of nature, for which no determined concepts of understanding are available, aesthetic judgment is involved in an epistemological or, rather, para-epistemological task. The predicate "beautiful" indicates that something has minimal form and is cognizable. This book explores this concept of form, in particular the role of presentation ("Darstellung") in what Kant refers to as "mere form," which involves not only the understanding, but also reason as the faculty of ideas. Such a notion of form reveals why the beautiful can be related to the morally good. On the basis of this reinterpreted concept of form, most major concepts and themes of the "Critique of Judgment"--such as disinterestedness, free play, the sublime, genius, and beautiful arts--are examined by the author and shown in a new light.
