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Detailed exploration of an enigmatic manuscript containing the texts to hundreds of songs, but no musical notation. The medieval songbook known variously as trouvère manuscript C or the "Bern Chansonnier" (Bern, Burgerbibliothek, Cod. 389) is one of the most important witnesses to musical life in thirteenth-century France. Almost certainly copied in Metz, it provides the texts to over five hundred Old French songs, and is a unique insight into cultures of song-making and copying on the linguistic and political borders between French and German-speaking lands in the Middle Ages. Notably, the names of trouvères, including several female poet-musicians, are found in its margins, names which w...
This richly illustrated study addresses the essential first steps in the development of the new phenomenon of the illuminated book, which innovatively introduced colourful large letters and ornamental frames as guides for the reader's access to the text. Tracing their surprising origins within late Roman reading practices, Lawrence Nees shows how these decorative features stand as ancestors to features of printed and electronic books we take for granted today, including font choice, word spacing, punctuation and sentence capitalisation. Two hundred photographs, nearly all in colour, illustrate and document the decisive change in design from ancient to medieval books. Featuring an extended discussion of the importance of race and ethnicity in twentieth-century historiography, this book argues that the first steps in the development of this new style of book were taken on the European continent within classical practices of reading and writing, and not as, usually presented, among the non-Roman 'barbarians'.
The Berne song book originates from the last third of the 13th century and is often considered marginal because of the Lorraine dialect and the corrupted delivery. Here it is analysed in depth for the first time. It includes a linguistic and material analysis of the manuscript followed by a new edition of 53 anonymous poems. Each poem is presented as a diplomatic transcription with critical editorial commentary. A synoptic index allows the reader to place the manuscript within the wider context of the written tradition of older northern French poetry.
79 Handschriften der Burgerbibliothek Bern werden genau beschrieben, datiert und teilweise exzerpiert: Codd. BB 31, B 49, B 57, 262, 350, 381, 382, 523, 532, 551, 560, 567, 572, 577, 578, 595, 600, 631, 637, 644, B 644, 654, 655, 686, 712, 713, 714, 717, 718, 719, 720, 727, 728, 731, 732, 733, 740, 754, 755, 763, 766, B 767, 767, 769, 770, 773, 774, 775, 780, 786, 787, 788, 789, 790, 792, 793, 794, 797, 806, 811, 813, 816, 817, 818, 819, 822, 825, 850, 853, 855, 856, 857, 858, 859, 861, 862, 863. - Ms.h.h. XVI 31, Ms.h.h. XVI 36. - 30 Abbildungen.
This volumes offers a study of all known manuscripts and incunabular editions of four classical texts: Vitruvius' De architectura, Cato's De agri cultura, Varro's De re rustica, Porphyrio's Commentary on Horace, and Priscian's Periegesis. The total number of witnesses involved comes to over 200; many of the manuscripts were produced in France or Italy, but English, German, Polish, and Swiss manuscripts also feature. For each text, the genealogical affiliations of its manuscript copies are determined (in many cases for the first time), as is the manner in which each was dispersed throughout medieval Europe and transmitted from antiquity through the Middle Ages to the first printed editions. S...
This collection of essays explores the emergence of economic societies in the British Isles and their development into a European, American and global reform movement in the eighteenth century. Its fourteen contributions demonstrate the intellectual horizons and international networks of this widespread and influential phenomenon.
In this book the author investigates the parallels between Haller's poetic and scientific writings by comparing selected poems from Haller's «Versuch Schweizerischer Gedichte» with various scientific works, with respect to subject matter, structure, and style. The themes discussed in the four chapters are: nature landscape description; truth, reason, knowledge, and their limits; theodicy, infinity, and the search for original causes. Also, a specific philosophical problem, theodicy in the poem «Über den Ursprung des Übels», is compared to a specific scientific problem, the nature of irritability and sensibility in «De partibus corporis humani sensilibus et irritabilibus», with emphasis on Haller's working method.
In studies ranging from Norman Sicily to Scandinavia, six focus on aspects of Scottish history. Papers discuss authenticity and forgery, royal and aristocratic values, the history of William the Conqueror and the Marshal earls. Contemporary historians' perceptions of the Jews and Byzantium complete the roll call.
Based on scores of medieval manuscript texts and diagrams, the book shows how Roman sources were used in the age of Charlemagne to reintroduce and expand a qualitative picture of articulated geometrical order in the heavens.