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The regular meetings resumed, here with particular focus on Julian of Norwich, and Syon Abbey and the Bridgettines.
The abundant evidence from medieval England suggests a deep interest among devotional writers in documenting, teaching and circumscribing devotional reading, given the importance of careful reading practices for salvation. This volume therefore draws together a wide range of interests in and approaches to studying the reading and reception of devotional texts in medieval England, from representations of readers and reading in devotional texts, to literary production and reception of devotional texts and images, to manuscripts and early books as devotional objects, to individual readers and patrons of devotional texts.
Essays on the turbulent history of Syon Abbey, focussing on the role played by reading and writing in constructing its identity and experience. Founded in 1415, the double monastery of Syon Abbey was the only English example of the order established by the fourteenth-century mystic St Bridget of Sweden. After its dispersal at the Dissolution, the community survived in exile and was briefly restored during the reign of Mary I; but with the accession of Elizabeth I, some of the nuns and brothers once again sought refuge on the Continent, first in the Netherlands and later in Lisbon. This volumeof essays traces the fortunes of Syon Abbey and the Bridgettine order between 1400 and 1700, examinin...
Interdisciplinary studies on medieval mystics and their cultural background.
New essays on the burgeoning of pastoral and devotional literature in medieval England.
The study of pastoral care in the middle ages has seen a resurgence in recent years. Scholars are now approaching this subject less from their respective ecclesiastical or parochial biases and more out of an effort to understand the significant role pastors (secular and religious) had in the shaping of medieval society at large. This book explores some of the new ways scholars are approaching this topic. Using a variety of sources and disciplinary angles: theology, preaching, catechesis, confessional literature, visitation records, monastic cartularies and the like, these studies show the many and varied ways in which pastoral care came to play such an important role in the day to day lives of medieval people. Contributors include: C. Colt Anderson, Michelle Armstrong-Partida, Beth Allison Barr, Sabrina Corbellini, Alexandra da Costa, Laura Michele Diener, William Dohar, James Ginther, Joe Goering, Ann M. Hutchison, Greg Peters, C. Matthew Phillips, Andrew Reeves, Ronald J. Stansbury, Susan M.B. Steuer, Mathilde van Dijk, and Anne T. Thayer.
Essays exploring the great religious and devotional works of the Middle Ages in their manuscript and other contexts.
MEDIEVAL POETRY In a series of original essays from leading literary scholars, this Companion offers a chronological sweep of medieval poetry from Old English to the great genres of romance, narrative, and alliterative poetry of the 15th century. Beginning in the Anglo-Saxon period, the volume explores the Old English language and its alliterative tradition, before moving on to examine the genres of heroic, devotional, wisdom and epic poetry, culminating in a discussion of arguably the founding text of the English literary canon, the great epic Beowulf. In part two, the Companion moves on to discuss the linguistic and social changes brought about as a result of the Norman Conquest, exploring...
The Oxford Handbook to Tudor Drama is the authoritative secondary text on Tudor drama. It both integrates recent important research across different disciplines and periods and sets a new agenda for the future study of Tudor drama, questioning a number of the central assumptions of previous studies. Balancing the interests and concerns of scholars in theatre history, drama, and literary studies, its scope reflects the broad reach of Tudor drama as a subject, inviting readers to see the Tudor century as a whole, rather than made up of artificial and misleading divisions between 'medieval' and 'renaissance', religious and secular, pre- and post-Shakespeare. The contributors, both the established leaders in their fields and the brightest young scholars, attend to the contexts, intellectual, theatrical and historical within which drama was written, produced and staged in this period, and ask us to consider afresh this most vital and complex of periods in theatre history. The book is divided into four sections: Religious Drama; Interludes and Comedies, Entertainments, Masques, and Royal Entries; and Histories and political dramas.
New approaches to religious texts from the Middle Ages, highlighting their diversity and sophistication.