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"Through such everyday articles as linen shirts, wigs, silver teaspoons, pottery plates and engravings, Barnard evokes a striking variety of lives and attitudes. Possessions, he shows, even horses and dogs, highlighted and widened divisions, not only between rich and poor, women and men, but also between Irish Catholics and the Protestant settlers. Displaying fresh evidence and unexpected perspectives, the book throws new light on Ireland during a formative period. Its discoveries, set within the context of the 'consumer revolution' gripping Europe and North America, allow Ireland for the first time to be integrated into discussions of the pleasures and pains of consumerism."--BOOK JACKET.
The novels of Daniel Defoe are set in years during which two Anglo-Dutch wars were fought, a Dutch king took over the English throne, and the primacy of the Dutch in Northern European commerce was in the process of being overtaken by the English. At the time of these novels’ publication, the geo-physical, political and cultural achievements of the United Provinces were still remarked upon as extraordinary, while so many people had travelled between the two countries that Dutch communities in England and English communities in the United Provinces were unremarkable. Defoe’s personal, professional and political interests lay parallel and very close to stereotypically Dutch affairs, such as...
This book is the first full-length study of Scots in the United Provinces between 1650 and 1750, showing that the Scottish-Dutch relationship provided the infrastructure, which allowed Scotland to become part of the Republic of Letters.
An interdisciplinary study of the central role that the neighborhood played in seventeenth-century Dutch painting and culture The neighborhood was a principal organizing structure of Dutch cities in the seventeenth century, and each had its own regulations, administrators, social networks, events, and diverse population of residents. Linda Stone-Ferrier argues that this sense of community contributed to the steady demand for pictures portraying aspects of this culture. These paintings, by such artists as Jan Steen and Pieter de Hooch, reinforced the role and values of the neighborhood. Through close readings of such works--by Steen and De Hooch and, among others, Gerrit Dou, Gabriel Metsu, Jacob van Ruisdael, and Johannes Vermeer--Stone-Ferrier deftly considers social history, urban studies, anthropology, and women's studies in this penetrating exploration. Her new interpretations of seventeenth-century Dutch painting across genres--scenes of streets, domesticity, professions, and festivity--challenge existing paradigms in Dutch art history.
Travel in early modern Europe is frequently represented as synonymous with the institution of the Grand Tour, a journey undertaken by elite young males from northern Europe to the centres of the arts and antiquity in Italy. Taking a somewhat different perspective, this volume builds upon recent research that pushes beyond this narrow orthodoxy and which decentres Italy as the ultimate destination of European travellers. Instead, it explores a much broader pattern of travel, undertaken by people of varied backgrounds and with divergent motives for travelling. By tapping into current reactions against the reification of the Grand Tour as a unique and distinctive practice, this volume represent...
This collection of essays, commissioned in honour of Andrew Pettegree, presents original contributions on the Reformation, communication and the book in early modern Europe. Together, the essays reflect on Pettegree’s ground-breaking influence on these fields, and offer a comprehensive survey of the state of current scholarship.
Cutting-edge theories of cognition inform readings of Shakespearean girls to show the dynamism of adolescent female brainwork.
The Dutch Republic was the most religiously diverse land in early modern Europe, gaining an international reputation for toleration. In Reformation and the Practice of Toleration, Benjamin Kaplan explains why the Protestant Reformation had this outcome in the Netherlands and how people of different faiths managed subsequently to live together peacefully. Bringing together fourteen essays by the author, the book examines the opposition of so-called Libertines to the aspirations of Calvinist reformers for uniformity and discipline. It analyzes the practical arrangements by which multiple religious groups were accommodated. It traces the dynamics of religious life in Utrecht and other mixed communities. And it explores the relationships that developed between people of different faiths, especially in ‘mixed’ marriages.
Bringing together themes in the history of art, punishment, religion, and the history of medicine, Picturing Punishment provides new insights into the wider importance of the criminal to civic life.
This work is a full-length study of John Talman, the first director of the Society of Antiquaries and one of the most influential collectors of drawings in early 18th century Britain.