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The Cement Garden
The first novel by the Booker Prize-winning author of Amsterdam. In the relentless summer heat, four abruptly orphaned children retreat into a shadowy, isolated world, and find their own strange and unsettling ways of fending for themselves.
The Child in Time
Now a major BBC drama starring Benedict Cumberbatch 'Only Ian McEwan could write about loss with such telling honesty' Benedict Cumberbatch On a routine trip to the supermarket with his daughter one Saturday morning, Stephen Lewis, a well-known writer of children's books, turns his back momentarily. When he looks around again, his child is gone. In a single moment, everything is changed. The kidnapping has a devastating effect on Stephen's life and marriage. Memories and the present become inseparable - as Stephen gets lost in daydreams of the past - and time bends back on itself, dragging Stephen's own childhood back into the present.
Ian McEwan
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In Between the Sheets
The second collection of blazingly original short stories from Booker prize-winning, Sunday Times-bestselling author Ian McEwan. A two-timing pornographer becomes the unwilling object of one of his victim's vengeful fantasies. A millionaire buys himself the perfect mistress – passive, yet beautiful – but the union soon becomes a nightmare of jealousy and despair. And an ape reflects on the relationship with a young female writer, mourning their fading love and musing on the fateful deceptions of art. In these seven stories of dream-like lucidity, the wasteland of the human psyche is mapped with deadly precision. ‘Resonant and frightening...totally original’ Observer ‘Exact, tender, funny, voluptuous, disturbing’ The Times
First Love, Last Rites
Taut, brooding and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity, and sheer evil might be the solution to unbearable loneliness.
Ian McEwan
This book offers a discussion of seven “canonical” novels by Ian McEwan (The Cement Garden, The Comfort of Strangers, The Child in Time, The Innocent, Black Dogs, Atonement, On Chesil Beach), introducing radical new readings, which are offered not as ultimate and conclusive “solutions” of the textual puzzles, but as possibilities to engage with the text creatively, to enrich the critical consensus and restore interpretative freedom to the readers. This project formulates a strategy of “inclusive reading” – an approach to the text that does not seek to reduce it to a single interpretation, and yet is comprehensively informed through the analysis of the primary text, critical dis...
