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Introduction To Carbon Capture And Sequestration
The aim of the book is to provide an understanding of the current science underpinning Carbon Capture and Sequestration (CCS) and to provide students and interested researchers with sufficient background on the basics of Chemical Engineering, Material Science, and Geology that they can understand the current state of the art of the research in the field of CCS. In addition, the book provides a comprehensive discussion of the impact of CCS on the energy landscape, society, and climate as these topics govern the success of the science being done in this field.The book is aimed at undergraduate students, graduate students, scientists, and professionals who would like to gain a broad multidisciplinary view of the research that is being carried out to solve one of greatest challenges of our generation.
Oldenburg
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Claes Oldenburg
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Carbon Capture and Sequestration
The United States produces over seventy per cent of all its electricity from fossil fuels and nearly fifty per cent from coal alone. Worldwide, forty-one per cent of all electricity is generated from coal, making it the single most important fuel source for electricity generation, followed by natural gas. This means that an essential part of any portfolio for greenhouse gas emissions reductions will be technology to capture carbon dioxide and permanently sequester it in suitable geologic formations. While many nations have created incentives to develop of CCS technology, large regulatory and legal barriers exist that must still be addressed. This book identifies current law and regulation th...
Oldenburg
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Claes Oldenburg's Theater of Vision
In four chronologically organized chapters, this study traces the conceptual dependence and deep connectivity among Claes Oldenburg’s poetry, sculpture, films, and performance art between 1956 and 1965. This research-intensive book argues that Oldenburg’s art relies on machine vision and other metaphors to visualize the structure and image content of human thought as an artistic problem. Anchored in new oral history interviews and extensive archival material, it brings together understudied visual and concrete poetry, experimental films, fifteen group performances (commonly referred to as happenings), and a close analysis of his well-known installations of The Street (1960) and The Store (1961–62), effectively setting in place a reexamination of Oldenburg’s pop art from the street, store, home, and cinema years. The book will be of interest to scholars working in art history, film studies, performance studies, literature, intermedia studies, and media theory.
Claes Oldenburg
Contemporary criticism, interviews, scholarly reassessments, and texts by the artist focusing on Claes Oldenburg's sculptures, installations, and multimedia performances between 1960 and 1965. Claes Oldenburg (born in 1929) is largely known today as a pop art sculptor. Oldenburg himself described his formless canvas and vinyl soft sculptures—gigantic hamburgers and ice cream cones, cushiony toilets and typewriters—as “objects that elude definition.” This collection of writings revisits not only Oldenburg's soft objects from the early to mid 1960s but also his pioneering installations The Street (1960) and The Store (1961–1962) and his often overlooked multimedia performances. As th...
Shopping
This publication accompanies the exhibition at the Schirn Kunsthalle Frankfurt 28 September - 1 December 2002 and the Tate Liverpool from December 20th 2002-March 23rd 2003 and documents the fascination with the increasingly sophisticated means of seduction in shop windows. Pictorial material illustrates the interactionbetween art and the consumption of goods.
