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The classical version of the most famous and beloved of all fairy tales is the one C.S. Evans adapted and then expanded in order to give his brilliant illustrator, Arthur Rackham, maximum opportunity to exercise his gifts. The product of their collaboration is one of the most wonderful editions we have of this, or any other, fairy tale.
Disgruntled at not being invited to the princess's christening, the wicked fairy casts a spell that dooms the princess to sleep for a hundred years.
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This most beloved of all fairy tales is told in many versions and found in many different cultures - from the Italian CENERANTOLA to the Russian CHERNUSHKA For this edition, first published in 1919, Charles Sedon Evans, a schoolmaster turned publisher, used the features of the tale as told by Charles Perrault - the pumpkin coach the mice horses, the rat coachman, the lizard footmen and the glass slipper - but expanded it to a full-length story so as to offer Arthur Rackham maximum opportunity to illustrate every step of the drama with his exquisite silhouette drawings. This is one of the most beautiful and delightful children's book ever published.
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Celebrating 100 years since their original publication in 1919 and 1920, Pook Press presents a new, deluxe edition of Cinderella and The Sleeping Beauty. Two of the most adored fairy tales of all time, retold by master storyteller, C.S. Evans and illustrated with Arthur Rackham's beautiful silhouettes. C.S Evan's extended novella fairy tales provide the perfect canvas for Rackham's art, which is truly enchanting. Rackham's intricate, black and white illustrations bring movement and humour to these timeless tales, and his vivid splashes of colour bring them further to life. This remarkable collaboration between writer and artist has been treasured for 100 years and this beautiful new edition can be cherished once more.
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Evans' analysis of Kierkegaard's Philosophical Fragments and Concluding Unscientific Postscript introduces even the nonspecialist to two of Kierkegaard's most challenging works without minimizing the complex nature of his philosophy. Evans honors Kierkegaard's wish not to be confused with his pseudonyms and so frames the discussion around the thoughts of "Johannes Climacus." Yet, Evans highlights the similarities between Climacus' and Kierkegaard's ideas while setting them in conversation with contemporary philosophers and theologians. The book is divided into thirteen chapters. The first three set up the book with an introduction to Kierkegaard's pseudonymous literature as a whole, an overv...