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Une feuille pliée en cahier qui dépliée devient le support d'une oeuvre, une oeuvre repliée en cahier qui assemblé avec d'autres devient un volume : ces "petits cahiers intempestifs" sont ainsi tout à la fois un livre d'artiste et les fac-similés de deux oeuvres de Jean Le Gac revisitées en puzzles géants pour l'occasion
Une feuille pliée en cahier qui dépliée devient le support d'une oeuvre, une oeuvre repliée en cahier qui assemblé avec d'autres devient un volume : ces "petits cahiers intempestifs" sont ainsi tout à la fois un livre d'artiste et le fac-similé des dix-huit oeuvres de Claude Viallat créées pour l'occasion
The ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most popular - the late nineteenth and early twentieth centuries - even the greatest writers followed strict generic conventions that were far from subtle. This expanded and updated translation of Florence Goyet's influential La Nouvelle, 1870-1925: Description d'un genre à son apogée (Paris, 1993) is the only study to focus exclusively on this classic period across different continents. Ranging through French, English, Italian, Russian and Japanese writing - p...
This anthology of articles selected from The Journal of Artists’ Books contains some of the best critical writing on artists’ books produced in the last quarter of a century. Driven by the editorial vision of artist Brad Freeman, JAB began as a provocative pamphlet and expanded to become a significant journal documenting artists’ books from multiple perspectives. With its range of participants and approaches, JAB provided a unique venue for sustained critical writing in the field and developed a broad subscriber base among institutional and private collectors and readers. More than two hundred writers and artists from nearly two dozen countries around the globe were published in its pages. The JAB Anthology contains contributions by many renowned figures in the field including: Anne Moeglin-Delcroix, Janet Zweig, Monica Carroll, Adam Dickerson, Alisa Scudamore, Mary Jo Pauly, April Sheridan, Doro Boehme, Gerrit Jan de Rook, Océane Delleaux, Brandon Graham, Jérôme Dupeyrat, Ward Tietz, Paulo Silveira, Philip Cabau, Leszek Brogowski, Lyn Ashby, Tim Mosely, Debra Parr, Pedro Moura, Levi Sherman, Catarina Figueiredo Cardoso, Isabel Baraona, and the editors.
This wide-ranging volume of essays provides an illuminating set of approaches to the multifaceted contexts of Proust's life and work.
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