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Masquerade and Money in Urban Nigeria
Introduction, Masquerade as an Artistic Pulse of the City -- "Face No Fear Face:" Unmasking Youths -- "If they Burn it Down, We will Build it Even Larger:" Confrontations of Space -- "People Hear at Night:" Sounds and Secrecy of Nocturnal Performance -- "Idagha Chieftaincy was Nothing like what it is today:" The Spectacle of Public Performance -- "We Call it Change:" An Artistic Profile of Artist Ekpenyong Bassey Nsa -- "Look at it, Touch it, Smell it-this is Nnabo:" Trajectories and Transformations of "Warrior" Societies -- "For this Small Money, I No Go Enter Competition:" Masquerade Competition on a Global Stage -- "I know Myself:" Masquerade as an Artistic Transformation -- Coda: "I Think About my Kids and Feeding Them".
Religion in Calabar
The series Religion and Society (RS) contributes to the exploration of religions as social systems– both in Western and non-Western societies; in particular, it examines religions in their differentiation from, and intersection with, other cultural systems, such as art, economy, law and politics. Due attention is given to paradigmatic case or comparative studies that exhibit a clear theoretical orientation with the empirical and historical data of religion and such aspects of religion as ritual, the religious imagination, constructions of tradition, iconography, or media. In addition, the formation of religious communities, their construction of identity, and their relation to society and the wider public are key issues of this series.
Nigeria
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Nigeria
Despite its negative image, for travelers with an open mind and friendly demeanor Nigeria is an incredibly absorbing country in which to travel. Experience the mind-boggling chaos of Lagos, the traditional durbars, Benin bronzes and walled cities, and enjoy its single greatest quality – the warm generosity of 140 million people. Details of getting around, by bush taxi, rail, car or on foot, together with accommodations options, wildlife watching and activities, are balanced by a wealth of background information, from history (of a country dating back thousands of years) and geography to culture and the environment.
Learning Calabar
Written from a participant observer stance, Learning Calabar weaves prose and poetry in a hybrid form and evokes the richness and challenges of everyday lives of people of Calabar, Nigeria.
Nigeria: Background to Nationalism
Monograph on the social and historical setting of Nigerian nationalism - includes political aspects, cultural factors and social implications, and covers foreign policies, international relations, the role of UK colonialism, the activities of trade unions, leadership, ethnic groups, elites, political partys, etc., in the inter-war and post-war periods. Bibliography pp. 481 to 496, maps, references and statistical tables.
Ethnic and Cultural Diversity in Nigeria
This collection of essays brings together for the first time a discussion on the multicultural and ethno-linguistic groupings of Nigeria. By employing historical and sociological perspectives, each chapter provides an account of the origin, beliefs, and important ceremonial and traditional practices of each group.
The Architecture of the Bight of Biafra
The Architecture of the Bight of Biafra challenges linear assumptions about agency, progress, and domination in colonial and postcolonial cities, adding an important sub‐Saharan case study to existing scholarship on globalization and modernity. Intersected by small creeks, rivulets, and dotted with mangrove swamps, the Bight of Biafra has a long history of decentralized political arrangements and intricate trading networks predating the emergence of the Atlantic world. While indigenous merchants in the region were active participants in the transatlantic slave trading system, they creatively resisted European settlement and maintained indigenous sovereignty until the middle of the nineteen...
Masquerade and Money in Urban Nigeria
Introduction, Masquerade as an Artistic Pulse of the City -- "Face No Fear Face:" Unmasking Youths -- "If they Burn it Down, We will Build it Even Larger:" Confrontations of Space -- "People Hear at Night:" Sounds and Secrecy of Nocturnal Performance -- "Idagha Chieftaincy was Nothing like what it is today:" The Spectacle of Public Performance -- "We Call it Change:" An Artistic Profile of Artist Ekpenyong Bassey Nsa -- "Look at it, Touch it, Smell it-this is Nnabo:" Trajectories and Transformations of "Warrior" Societies -- "For this Small Money, I No Go Enter Competition:" Masquerade Competition on a Global Stage -- "I know Myself:" Masquerade as an Artistic Transformation -- Coda: "I Think About my Kids and Feeding Them".
