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Masquerade and Civilization
Public masquerades were a popular and controversial form of urban entertainment in England for most of the eighteenth century. They were held regularly in London and attended by hundreds, sometimes thousands, of people from all ranks of society who delighted in disguising themselves in fanciful costumes and masks and moving through crowds of strangers. The authors shows how the masquerade played a subversive role in the eighteenth-century imagination, and that it was persistently associated with the crossing of class and sexual boundaries, sexual freedom, the overthrow of decorum, and urban corruption. Authorities clearly saw it as a profound challenge to social order and persistently sought...
Playful Performers
This is a study of children's masquerades in Africa, describing specific cases of young children's masking in the areas of west, central, and southern Africa. The children are seen as active agents in their own culture rather than passive recipients of culture as taught by parents and other elders.
Touch and the Masquerades of Nigeria
First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Masquerades of War
This collection explores the concepts and practices of masquerade as they apply to concepts and practices of war. The contributors insist that masquerades are everyday aspects of the politics, praxis, and experiences of war, while also discovering that finding masquerades and tracing how they work with war is hardly simple. With a range of theories, innovative methodologies, and contextual binoculars, masquerade emerges as a layered and complex phenomenon. It can appear as state deception, lie, or camouflage, as in the population-centric American warfare in Iraq that was sold as good for the local people, or the hidden violence Russian military forces used on each other and on local men in C...
Playful Performers
"African children develop aesthetic sensibilities at an early age, roughly from four to fourteen years. By the time they become full-fledged adolescents they may have had up to ten years experience with various art forms--masking, music, costuming, dancing, and performance. Aesthetic learning is vital to their maturation. The contributors to this volume argue that the idea that learning the aesthetics of a culture only occurs after maturity is false, as is the idea that children wearing masks is only play, and is not to be taken seriously.Playful Performers is a study of children's masquerades in Africa. The contributors describe specific cases of young children's masking in the areas of wes...
Masquerade
On his way to deliver a splendid necklace to the Sun from the Moon, Jack Hare is diverted by a series of odd characters and when he finally reaches his destination he realizes that the necklace is missing. The reader is invited to answer several riddles and solve the mystery from clues given in the text.
The Masquerade Dance
It is carnival time in St. Kitts-Nevis' and Saulo is excited to see the masquerades perform and dance and to hear their music. He dreams of dancing the masquerade one day but when they get too close for comfort, Saulo is not sure he is ready for his big debut.
Masquerades
When her hometown is overtaken by a crime syndicate, the daughter of a disgraced Harper agent fights to free the local merchants from their underground overlords When Alias crosses swords with the underlings of the cunning, heartless lord of Westgate’s criminal guild—known only as the Faceless—he vows to destroy her. Accepting the challenge to rid Westgate of the maleficent Night Masks, Alias gathers old allies and new: the saurial paladin Dragonbait, the halfling Olive Ruskettle, the street performer Jamal, the sage Mintassan, and the charismatic Victor Dhostar, son of Westgate’s governing official. Yet even as Alias thwarts the nefarious efforts of the Night Masks, she becomes ever more entangled in the web woven by The Faceless—a web whose silken threads are spun from intrigue, political machinations, and murder. Masquerades is the tenth book in a series of loosely-connected novels about the Harpers.
The Masquerades of Nigeria, And, Touch
First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Masquerades
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