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Callum Morton
El artista construye fragmentos y modelos arquitectónicos, analizando la tensión entre teoría y práctica, arte y vida, criticando la arquitectura icónica y sus intenciones utópicas, animando sus maquetas con luz y sonido para crear narraciones vivas sobre la fragilidad humana.
Callum Morton
None
What's Wrong with Contemporary Art?
The "packing, promotion and reception" of contemporary art troubles Peter Timms. Market demands dominate and art has been corrupted and trivialized. The problem, he argues, extends to the way art is taught in art schools, the art that artists make, the collecting and curatorial methodologies of galleries and museums, funding criteria, the way that art is written about and the media's depiction of art.
Callum Morton
None
Kissing a Whirlwind
Renee “Renny” Solomon is a college student in Roydan, North Carolina, who helps her aunt, the local police chief, arrest a human trafficker. On the same day as the arrest, she steps out of character as a straightlaced Christian and kisses her college math professor. Within days, her roommate’s life is threatened, and the FBI comes to the town. The police and FBI discover a spy in the midst while trying to identify some drug and human traffickers known as Doc and Uncle. Renee’s life becomes a whirlwind of investigations, friendship, danger, and love.
Art in the Global Present
Art in the Global Present presents a fascinating collection of essays that together reveal how art is currently navigating a globalised world. It addresses social issues such as the impact of migration, the ‘war on terror’ and the global financial crisis, and questions the transformations produced by new forms of flexible labour and the digital revolution. Through examining the resistance to the politics of globalisation in contemporary art, presenting the construction of an alternative geography of the imagination and reflecting on art’s capacity to express the widest possible sense of being, this book explores the worlds that artists make when they make art. A multifaceted perspective on the complexity of these issues is reached through the words of a diverse range of art practitioners and commentators, including acclaimed artists Lucy Orta, Callum Morton, Danae Stratou and the collective Postcommodity, international curators Hou Hanru, Cuauhtémoc Medina, Ranjit Hoskote and Linda Marie Walker and art critics, academics, writers and theorists Jean Burgess, Paul Carter, Barbara Creed, Geert Lovink, Scott McQuire, Nikos Papastergiadis, Gerald Raunig and Jan Verwoert.
Lonely Planet East Coast Australia
Lonely Planets East Coast Australia is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Dive on the Great Barrier Reef, sail the Whitsundays, and hike the Blue Mountains; all with your trusted travel companion. Get to the heart of East Coast Australia and begin your journey now! Inside Lonely Planets East Coast Australia Travel Guide: Up-to-date information - all businesses were rechecked before publication to ensure they are still open after 2020s COVID-19 outbreak NEW pull-out, passport-size 'Just Landed' card with wi-fi, ATM and transport info - all you need for a smooth journey from airport to hotel Improved plann...
Art Wealth Management
This book offers an overview of how to manage private art collections, providing essential insights on art wealth management, art investment, art governance, and succession planning for art assets. It offers practical recommendations on sound art collection governance, but also examines the background of art markets and price building, including the influence of fashion and trends. Throughout history, art patronage has played an important role in the wealth of ultra-high-net-worth families and led to private museums funded by philanthropist collectors in order to celebrate their own tastes and leave a lasting legacy. Today, as a result of the growth of art investing by a new generation of wealthy collectors, not only artists but also wealthy families, sophisticated investors and their close advisors now face a more complex set of financial and managerial needs. As such, the contributions in this book will be of interest to collecting families, family offices, and professional advisors seeking to integrate art into their overall wealth management strategy, and to scholars in the fields of cultural economics, art dealers, curators, and art lovers.
