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Cinema and Sacrifice
Cinema has a long history of engaging with the theme of sacrifice. Given its capacity to stimulate the imagination and resonate across a wide spectrum of human experiences, sacrifice has always attracted filmmakers. It is on screen that the new grand narratives are sketched, the new myths rehearsed, and the old ones recycled. Sacrifice can provide stories of loss and mourning, betrayal and redemption, death and renewal, destruction and re-creation, apocalypses and the birth of new worlds. The contributors to this volume are not just scholars of film but also students of religion and literature, philosophers, ethicists, and political scientists, thus offering a comprehensive and interdisciplinary approach to the relationship between cinema and sacrifice. They explore how cinema engages with sacrifice in its many forms and under different guises, and examine how the filmic constructions, reconstructions and misconstructions of sacrifice affect society, including its sacrificial practices. This book was originally published as a special issue of Angelaki: journal of the theoretical humanities.
Acinemas
The most extensive examination yet of control across disciplines and cultural modes of expression showing that control is the cultural logic of the 21st century
Oraşul Iaşi
None
Era socialistă
None
Contemporary Political Philosophy and Religion
Should democratic politics and religion, political reason and faith be completely separated from each other, or should they be seen in a relationship of discursive interaction? The continuous presence of religion in the public sphere has undermined state-induced attempts to privatise faith, and it has raised anew normative and practical issues related to the place of religion in a democratic polity, generating spirited political debates. This textbook: Provides an introduction to, and a critical appraisal of the major schools of political thought with a focus on the relationship between democracy and religion. Contains an analysis of different schools: political liberalism, postmodernism, an...
MLA International Bibliography of Books and Articles on the Modern Languages and Literatures
Vols. for 1969- include ACTFL annual bibliography of books and articles on pedagogy in foreign languages 1969-
Law, State and Religion in the New Europe
The return of religion to the public sphere raises various dilemmas. Rights and values, pluralism and identity, justice and efficacy, autonomy and tradition, and integration and toleration cannot always be balanced without the loss of something valuable. This volume of essays tackles such dilemmas from two perspectives. To begin, major contemporary theorists rethink the place of religion in the public sphere from republican, liberal and critical-theoretical viewpoints. Contributors then bring together theory and practice to better conceptualize and assess the latest developments in European jurisprudence with respect to religion.
The Postnational Constellation
Does a global economy render the traditional nation-state obsolete? Does globalization threaten democratic life, or offer it new forms of expression? What are the implications of globalization for our understanding of politics and of national and cultural identities? In The Postnational Constellation, the leading German philosopher and social theorist J?rgen Habermas addresses these and other questions. He explores topics such as the historical and political origins of national identity, the catastrophes and achievements of "the long twentieth century," the future of democracy in the wake of the era of the nation-state, the moral and political challenges facing the European Union, and the st...
Religion in Contemporary European Cinema
The religious landscape in Europe is changing dramatically. While the authority of institutional religion has weakened, a growing number of people now desire individualized religious and spiritual experiences, finding the self-complacency of secularism unfulfilling. The "crisis of religion" is itself a form of religious life. A sense of complex, subterraneous interaction between religious, heterodox, secular and atheistic experiences has thus emerged, which makes the phenomenon all the more fascinating to study, and this is what Religion in Contemporary European Cinema does. The book explores the mutual influences, structural analogies, shared dilemmas, as well as the historical roots of such a "post-secular constellation" as seen through the lens of European cinema. Bringing together scholars from film theory and political science, ethics and philosophy of religion, philosophy of film and theology, this volume casts new light on the relationship between the religious and secular experience after the death of the death of God.
