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The Books of Catullus
The Books of Catullus is the first full English translation to take the Roman poet at his word. Simon Smith's versions are scholarly yet eccentric, mapping theme and register to contemporary equivalents (such as poem 16, which echoes Frank O'Hara). He divides Catullus's complete verses into three 'books', the form in which it is thought the poems were originally received. 'Smith gets the all-important rhythm of Catullus, whose meters, like all else about this poet, are deceptively complex', writes Vincent Katz. 'He achieves a delicious frisson again and again by fusing the classical and the contemporary. The reader is repeatedly pleasured by unexpected felicities.' (Peter Hughes)
Poems, Stories and Writings
Margaret Tait (1918–1999) was a pioneering filmmaker for whom words and images made the world real. 'In a documentary', she wrote, real things 'lose their reality... and there's no poetry in that. In poetry, something else happens.' If film, for Tait, was a poetic medium, her poems are works of craft and observation that are generous and independent in their vision of the world, poems that make seeing happen. Sarah Neely, Professor in the Department of Theatre, Film and Television Studies at the University of Glasgow, draws on Tait's three poetry collections, her book of short stories, her magazine articles and unpublished notebooks to make available for the first time a collection of the full range of Tait's writing. Her introduction discusses Tait as filmmaker and writer in the context of mid-twentieth-century Scottish culture, and a comprehensive list of bibliographic and film resources provides an indispensible guide for further exploration.
Poems and Satires
Edna St Vincent Millay (1892–1950) was one of the most popular American writers of her generation, and the first woman to win the Pulitzer Prize for Poetry. Thomas Hardy once remarked that America had only two great wonders to show the world: skyscrapers, and the poetry of Edna St Vincent Millay. Poems and Satires restores that wonder to view, while also revealing Millay as a more innovative and versatile talent than she is usually given credit for being. It includes some of her wickedly funny satires (published under the pseudonym Nancy Boyd, out of print since 1924), as well as her acclaimed play Aria da Capo, and reveals her to be not only the defining 'flapper' poet of the 1920s but a crucial voice for the 2020s. The 'fierce and trivial' persona she cultivated in her early lyric poems and sonnets – with their dazzling wit and daring attitudes towards love and sexuality – captured the whirl of bohemian life in New York. In her genre-defying satires, she questioned society's treatment of women and artists in surreal stories and plays, non-fiction and spoof agony aunt letters, and even a Handmaid's Tale-esque dystopia disguised as an almanac from the future.
Gilgamesh Retold
Jenny Lewis relocates Gilgamesh to its earlier, oral roots in a Sumerian society where men and women were more equal, the reigning deity of Gilgamesh's city, Uruk, was female (Inanna), only women were allowed to brew beer and keep taverns and women had their own language – emesal. With this shift of emphasis, Lewis captures the powerful allure of the world's oldest poem and gives it a fresh dynamic while creating a fastpaced narrative for a new generation of readers.
Songs We Learn from Trees
Finalist for the 2021 Glenna Luschei Prize for African Poetry This is the very first anthology of Ethiopian poetry in English, packed with all the energy, wit and heartache of a beautiful country and language. From folk and religious poems, warrior boasts, praises of women and kings and modern plumbing; through a flowering of literary poets in the twentieth century; right up to thirty of the most exciting contemporary Amharic poets working both inside and outside the country. These poems ask what it means to be Ethiopian today, part of a young fast-growing economy, heirs to the one African state which was never colonised, but beset by deep political, ethnic and moral problems.
In the Same Light
Shortlisted for the Lucien Stryk Asian Translation Prize 2023 Shortlisted for the National Translation Award in Poetry 2023 by the American Literary Translators Association The Poetry Book Society Spring 2022 Translation Choice Chinese poetry is unique in world literature in that it was written for the best part of 3,000 years by exiles, and Chinese history can be read as a matter of course in the words of poets. In this collection from the Tang Dynasty are poems of war and peace, flight and refuge but above all they are plain-spoken, everyday poems; classics that are everyday timeless, a poetry conceived "to teach the least and the most, the literacy of the heart in a barbarous world," says...
Vinegar Hill
From the New York Times best-selling author of Brooklyn, Colm Tóibín’s first collection of poetry explores sexuality, religion, and belonging through a modern lens Fans of Colm Tóibín’s novels, including The Magician, The Master, and Nora Webster, will relish the opportunity to re-encounter Tóibín in verse. Vinegar Hill explores the liminal space between private experiences and public events as Tóibín examines a wide range of subjects—politics, queer love, reflections on literary and artistic greats, living through COVID, and facing mortality. The poems reflect a life well-traveled and well-lived; from growing up in the town of Enniscorthy, wandering the streets of Dublin, and crossing the bridges of Venice to visiting the White House, readers will travel through familiar locations and new destinations through Tóibín’s unique lens. Within this rich collection of poems written over the course of several decades, shot through with keen observation, emotion, and humor, Tóibín offers us lines and verses to provoke, ponder, and cherish.
Rhapsodies 1831
'Borel was the sun,' said Théophile Gautier, 'who could resist him?' Indeed, who? A lycanthrope, necrophile, absurd revolutionary, Paris dandy with a scented beard, flamboyant sufferer: a man with no grave and no memorial. His once celebrated red mouth opened briefly 'like an exotic flower' to complain of injustice and bourgeois vulgarity; of his frustration in love and reputation; of poverty and blighted fate. Then he withered in the minor officialdom of Algeria, where he died because he would not wear a hat, leaving a haunted house and a doubtful name. 'And now,' says his only biographer Dame Enid Starkie, 'he is quite forgotten.' Rhapsodies 1831 includes all the poems Borel wrote when he...
The Owner of the Sea
A The Scotsman Book of the Year 2021 In re-telling the Inuit stories included here, Richard Price opens out remarkable northern vistas and unfamiliar narratives, strange gods and unforgettable characters. Carol Rumens described Price as a poet who is 'brilliant quietly: inventive, sometimes dazzling, but never merely showy': precisely the talents for rendering, rather than appropriating these great story-cycles of Inuit culture. Here we learn of 'Sedna the Sea Goddess' and 'Kiviuq the Hunter', the central protagonists of the book's remarkable stories. They are rich in extraordinary incident. In Sedna's world women can marry dogs and have half-puppy, half-human children; birds beat their wings so hard they call down a storm on a fugitive kayak; walruses originate from... well that would be telling. Each story-cycle abounds in natural wonder, celebrating our creaturely relations with our fellow inhabitants of land and sea. 'The Old Woman Who Changed Herself into a Man', a short narrative, bridges the major sequences, telling the story of an older woman and a younger one who become lovers in the isolation of their remote home.
Thinking with Trees
Shortlisted for the Michael Murphy Memorial Prize 2023 Winner of the Poetry Category OCM Bocas Prize for Caribbean Literature 2022 An Irish Times Best Poetry Books of 2021 A White Review Book of the Year 2021 Jason Allen-Paisant grew up in a village in central Jamaica. 'Trees were all around,' he writes, 'we often went to the yam ground, my grandmother's cultivation plot. When I think of my childhood, I see myself entering a deep woodland with cedars and logwood all around. [...] The muscular guango trees were like beings among whom we lived.' Now he lives in Leeds, near a forest where he goes walking. 'Here, trees represent an alternative space, a refuge from an ultra-consumerist culture......
