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In the Same Light
Winner of the Lucien Stryk Asian Translation Prize 2023 Shortlisted for the National Translation Award in Poetry 2023 by the American Literary Translators Association The Poetry Book Society Spring 2022 Translation Choice Chinese poetry is unique in world literature in that it was written for the best part of 3,000 years by exiles, and Chinese history can be read as a matter of course in the words of poets. In this collection from the Tang Dynasty are poems of war and peace, flight and refuge but above all they are plain-spoken, everyday poems; classics that are everyday timeless, a poetry conceived "to teach the least and the most, the literacy of the heart in a barbarous world," says the t...
Shining Star
The true story of Chinese American film star Anna May Wong, whose trail-blazing career in Hollywood in the 1930s and 1940s broke new ground for future generations of Asian American actors.
Anna May Wong
This title provides a biography of Anna May Wong who is undoubtedly, one of the best known and most popular Chinese-American actresses ever to have graced the silver screen. Between 1919 and 1960 she starred in over 50 movies.
Perpetually Cool
Anna May Wong was an extraordinary Asian American woman who became the country's most famous film actress of Chinese descent. From small parts in silent films to starring roles in Hollywood and across the Atlantic, Wong made an impression on audiences of all persuasions. In Perpetually Cool, Anthony Chan takes the reader on a compelling journey through Wong's early years in Los Angeles and her first Hollywood pictures. Chan also examines the scope and nature of race, gender, and power and their impact on Wong's personal growth as a Chinese American. Perpetually Cool is not only the captivating story of a cinematic career, but also of roots and identity, as it recounts Wong's desire to connect with her heritage in the United States and in China. Chan provides extensive textual analyses of Wong's signature films, especially The Toll of the Sea (1922), The Thief of Bagdad (1924) with Douglas Fairbanks, and her most famous role as Hui Fei in Shanghai Express (1932), opposite Marlene Dietrich. Perpetually Cool is a fitting tribute to the influence of this Chinese American icon.
Anna May Wong
Finalist for the 2020 Organization of American Historians Mary Nickliss Prize Pioneering Chinese American actress Anna May Wong made more than sixty films, headlined theater and vaudeville productions, and even starred in her own television show. Her work helped shape racial modernity as she embodied the dominant image of Chinese and, more generally, “Oriental” women between 1925 and 1940. In Anna May Wong, Shirley Jennifer Lim re-evaluates Wong’s life and work as a consummate artist by mining an historical archive of her efforts outside of Hollywood cinema. From her pan-European films and her self-made My China Film to her encounters with artists such as Josephine Baker, Carl Van Vechten, and Walter Benjamin, Lim scrutinizes Wong’s cultural production and self-fashioning. Byconsidering the salient moments of Wong’s career and cultural output, Lim’s analysis explores the deeper meanings, and positions the actress as an historical and cultural entrepreneur who rewrote categories of representation. Anna May Wong provides a new understanding of the actress’s career as an ingenious creative artist.
TO:KY:OO
Photographer Liam Wong’s debut monograph, a cyberpunk-inspired exploration of nocturnal Tokyo. Featuring evocative and stunning color photographs of contemporary Tokyo, this book brings together the images of an exciting new photographic talent, Liam Wong. Born and raised in Edinburgh, Scotland, Wong studied computer arts in college and, by the time he was twenty-five, was living in Canada and working as a director at one of the world’s leading video game companies. His job took him to Tokyo for the first time, where he discovered the ethereality of floating worlds and the lurid allure of Tokyo’s nocturnal scenes. “I got lost in the beauty of Tokyo at night,” he explains. A testament to the deep art of color composition, this publication brings together a refined body of images that are evocative, timeless, and completely transporting. This volume also features Wong’s creative and technical processes, including identifying the right scene, capturing the essence of a moment, and methods to enhance color values—insights that are invaluable to admirers and photography students alike.
Anna May Wong
Anna May Wong, born in Los Angeles in 1905 to a Chinese family that did not support her ambition, is the only Asian-American actress to have achieved stardom during Hollywood's Golden Age. Staying single to avoid endangering her career, she became the darling of the intelligentsia, inspiring poems, songs, and crowds of admirers in the British Isles, Europe, and China. She leaves a legacy of some 60 film appearances, numerous stage and television shows, and several radio spots. This book covers Anna May Wong's entire career and personal life. Detailed filmographic entries, with critical commentary as well as cast and technical credits, synopses, and newspaper and magazine reviews, are followed by Wong's stage work and radio and television appearances.
City in Colour
A timely, intriguing collection of the overlooked stories of Victoria’s pioneers, trailblazers, and community builders who were also diverse people of colour. Often described as “more English than the English,” the city of Victoria has a much more ethnically diverse background than historical record and current literature reveal. Significant contributions were made by many people of colour with fascinating stories, including: the Kanaka, or Hawaiian Islanders, who constructed Fort Victoria, and members of the Kanaka community such as Maria Mahoi and William Naukana three Metis matriarchs—Amelia Connolly Douglas, Josette Legacé Work, and Isabelle M. Mainville Ross the Victoria Voltig...
Oculus
FINALIST FOR THE LOS ANGELES TIMES BOOK PRIZE FOR POETRY A brilliant second collection by Sally Wen Mao on the violence of the spectacle—starring the film legend Anna May Wong In Oculus, Sally Wen Mao explores exile not just as a matter of distance and displacement but as a migration through time and a reckoning with technology. The title poem follows a nineteen-year-old girl in Shanghai who uploaded her suicide onto Instagram. Other poems cross into animated worlds, examine robot culture, and haunt a necropolis for electronic waste. A fascinating sequence spanning the collection speaks in the voice of the international icon and first Chinese American movie star Anna May Wong, who travels through the history of cinema with a time machine, even past her death and into the future of film, where she finds she has no progeny. With a speculative imagination and a sharpened wit, Mao powerfully confronts the paradoxes of seeing and being seen, the intimacies made possible and ruined by the screen, and the many roles and representations that women of color are made to endure in order to survive a culture that seeks to consume them.
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