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The stories in this collection move from the all-seeing naïveté of a child narrator trying to make sense of the world of adults, through the consciousness of the child-become-mother, to the mature perceptions of the older woman taking stock of her life. Set over a timespan from colonial-era Trinidad to the hazards and alarms of its postcolonial present, these stories have, at their core, the experience of uncomfortable change, but seen with a developing sense of its constancy as part of life, and the need for acceptance. The stories deal with the vulnerabilities and shames of a childhood of poverty; the pain of being let down; glimpses of the secret lives of adults; betrayals in love; the temptations of possessiveness; conflicts between the desire for belonging and independence; and the devastation of loss through illness, dementia, and death. What brings each of these not uncommon situations to fresh and vivid life is the quality of the writing: the shape of the stories, the unerring capturing of the rhythms of the voice and a way of seeing that includes a saving sense of humor and the absurd and also delights in the characters that people these stories.
This volume explores Caribbean literature from 1800-1920 across genres and in the multiple languages of the Caribbean.
This book deconstructs androcentric approaches to spacetime inherited from western modernity through its theoretical frame of the chronotropics. It sheds light on the literary acts of archival disruption, radical remapping, and epistemic marronnage by twenty-first-century Caribbean women writers to restore a connection to spacetime, expanding it within and beyond the region. Arguing that the chronotropics points to a vocation for social justice and collective healing, this pan-Caribbean volume returns to autochthonous ontologies and epistemologies to propose a poetics and politics of the chronotropics that is anticolonial, gender inclusive, pluralistic, and non-anthropocentric. This is an open access book.
This edited book provides a unique opportunity for international scholars to contribute to the exploration of liminality in the field of Anglo-American literature written by or about women between the Victorian period and the Second World War.
INTRODUCED BY STUART EVERS: 'A genuine, fully fledged masterpiece of the twentieth century; one that remains just as terrifyingly relevant and truthful in the twenty-first' An existential, political, literary thriller first published in 1944, Transit explores the plight of the refugee with extraordinary compassion and insight. Having escaped from a Nazi concentration camp in Germany and a work camp in Rouen, the nameless narrator finds himself in the dusty seaport of Marseille. Along the way he was asked to deliver a letter to Weidel, a writer in Paris whom he discovered had killed himself as the Nazis entered the city. Now he is in search of the dead man's wife. He carries Weidel's suitcase...
This collection explores the literary tradition of Caribbean Latino literature written in the U.S. beginning with José Martí and concluding with 2008 Pulitzer Prize winning novelist, Junot Díaz. The contributors consider the way that spatial migration in literature serves as a metaphor for gender, sexuality, racial, identity, linguistic, and national migrations.
This collection explores the literary tradition of Caribbean Latino literature written in the U.S. beginning with José Martí and concluding with 2008 Pulitzer Prize winning novelist, Junot Díaz. The contributors consider the way that spatial migration in literature serves as a metaphor for gender, sexuality, racial, identity, linguistic, and national migrations.
In these playful, erudite, and idiosyncratically personal essays from the Washington Post Book World, Michael Dirda shares some of the pleasures of the reading life. His subjects range from classics in translation to fantasy and crime fiction; from children's books to American and European literature; from innovative writing to neglected novels; from the dark joys of collecting first editions to the untroubled pleasure of P. G. Wodehouse. Dirda is a writer's reader and a reader's writer. He is a sure guide to good reading from the casual to the scholarly, and his columns are always diverting and informative, always worth coming back to. Readings presents many of his most memorable essays, including "The Crime of His Life" (a youthful caper), "Bookman's Saturday" (the scheming of a book collector), an annotated list of 100 comic novels, "Heian Holiday" (on The Tale of Genji), reflections on sex in literature, "Mr. Wright" (an exemplary high school teacher), "Listening to My Father," "Turning Fifty," and "Millennial Readings." In all these, and in 40 other pieces, Michael Dirda shows us books as sources of aesthetic bliss, comfort, and not least, amusement.
“[R]ecommended to anyone interested in multiculturalism and migration....[and] food for thought also for scholars studying migration in less privileged contexts.”—Social Anthropology In this compelling study of the children of serial migrants, Danau Tanu argues that the international schools they attend promote an ideology of being “international” that is Eurocentric. Despite the cosmopolitan rhetoric, hierarchies of race, culture and class shape popularity, friendships, and romance on campus. By going back to high school for a year, Tanu befriended transnational youth, often called “Third Culture Kids”, to present their struggles with identity, belonging and internalized racis...
This pioneering history of the Dutch Empire provides a new comprehensive overview of Dutch colonial expansion from a comparative and global perspective. It also offers a fascinating window into the early modern societies of Asia, Africa and the Americas through their interactions.