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I Am Not Emmanuelle
In I AM NOT EMMANUELLE, thirteen-year-old Adele impulsively steals a pack of gum, launching her into a rambling monologue about her inability to live up to the “perfect” sister who died. Convinced that her parents would have preferred her to die instead, Adele can’t help acting out. A powerful pair of stories exploring the teen psyche with unflinching honesty.
Just Julie
In JUST JULIE, Julie’s idolized older brother is accused of murder. When she refuses to attend his trial, her shattered family is bewildered. But Julie knows more about her brother than she wants to admit, and a fateful decision is in her hands: should she speak the truth, or protect her family?
A Companion to Contemporary French Cinema
A Companion to Contemporary French Cinema A Companion to Contemporary French Cinema presents a comprehensive collection of original essays addressing all aspects of French cinema from 1990 to the present day. Featuring contributions from an international cast of established and emerging scholars of French cinema, these innovative essays highlight the diversity of French films and filmmaking techniques that have emerged since the New Wave era. Themes and topics covered include the social, political, and cultural contexts of recent French cinema; contemporary filmmakers and performers; genres, cycles, and cinematic forms; gender and sexuality; and emerging trends and innovative new filmmaking ...
Music in Contemporary French Cinema
This book explores composed scores and pre-existing music in French cinema from 1985 to 2015 so as to identify critical musical moments. It shows how heritage films construct space through music, generating what Powrie calls “third space music,” while also working to contain the strong women characters found in French heritage films through the use of leitmotifs and musical cues. He analyses fiction films in which the protagonists perform at the piano, showing how musical performance supports the performance of gender. Building on aspects of musical performance, and in particular the use of songs performed in films, Powrie uses a database of 300 films since 2010 to theorize the intervention of music at critical moments as a “crystal-song”. Applying Roland Barthes’s concept of the “punctum” and Gille Deleuze’s concept of the “crystal-image,” Powrie establishes the importance of the crystal-song, which reconfigures time as a crystallization of past, present and future.
Je T’Aime... Moi Non Plus
A series of limiting definitions have tended to delineate the Franco-British cinematic relationship. As this collection of essays reveals, there is much more to it than simple oppositions between British critical esteem for the films of France and French dismissal of ‘le cinéma British’, or the success of Ken Loach et al. at the French box office and the relative dearth of French movies on British screens. In fact, there has long been a rich and productive dialogue between these two cultures in which both their clear differences and their shared concerns have played a vital role. This book provides an overview of the history of these relations from the early days of sound cinema to the ...
Encyclopedia of French Film Directors
Cinema has been long associated with France, dating back to 1895, when Louis and Auguste Lumi_re screened their works, the first public viewing of films anywhere. Early silent pioneers Georges MZli_s, Alice Guy BlachZ and others followed in the footsteps of the Lumi_re brothers and the tradition of important filmmaking continued throughout the 20th century and beyond. In Encyclopedia of French Film Directors, Philippe Rège identifies every French director who has made at least one feature film since 1895. From undisputed masters to obscure one-timers, nearly 3,000 directors are cited here, including at least 200 filmmakers not mentioned in similar books published in France. Each director's ...
Irreversible
Gaspar Noé's Irreversible is uncompromising and visceral, an essential piece of modern cinema. Punctuated by dazzling avant-garde techniques, the film depicts, in reverse-chronological order, a woman's rape and her boyfriend and friend's subsequent hunt for vengeance through the underworld of Paris. Confrontational yet influential, Irreversible has polarized audiences since its release in 2002, making it until now almost impossible to study dispassionately. This first book-length study of Irreversible situates Noé's work in the ecosystem of contemporary French media, exploring how Irreversible and a larger-scale cinéma du corps actually inspired France's film resurgence in the early twent...
Catalogue Clermont FilmFest04
Catalogue du 26e Festival du Court Métrage de Clermont-Ferrand 2004
Pierwsza młodość
Stałam na schodach prowadzących do szpitala przy ulicy Lindleya, gdzie wylądowałam tego dnia rano z podejrzeniem zawału. Byłam bardzo zmęczona, zła i przerażona. Trzymałam w ręku plik skierowań do lekarzy i na badania. Pierwszy raz w zawodowym życiu nie dotarłam na zdjęcia. Pierwszy raz w życiu zabrano mnie z pracy na SOR. Pierwszy raz w życiu czułam, że coś spieprzyłam i jeśli tego nie zmienię, umrę. A przecież, gdy terapeutka kilka lat wcześniej zapytała mnie, po co zaczęłam terapię, odpowiedziałam: „Bo chcę, by druga połowa mojego życia była zajebista”. Problem w tym, że tej drugiej połowy mogłoby nie być, a dowody na to trzymałam w ręku. To ws...
Brutal Intimacy
Brutal Intimacy is the first book to explore the fascinating films of contemporary France, ranging from mainstream genre spectaculars to arthouse experiments, and from wildly popular hits to films that deliberately alienate the viewer. Twenty-first-century France is a major source of international cinema—diverse and dynamic, embattled yet prosperous—a national cinema offering something for everyone. Tim Palmer investigates France's growing population of women filmmakers, its buoyant vanguard of first-time filmmakers, the rise of the controversial cinema du corps, and France's cinema icons: auteurs like Olivier Assayas, Claire Denis, Bruno Dumont, Gaspar Noé, and stars such as Vincent Cassel and Jean Dujardin. Analyzing dozens of breakthrough films, Brutal Intimacy situates infamous titles alongside many yet to be studied in the English language. Drawing on interviews and the testimony of leading film artists, Brutal Intimacy promises to be an influential treatment of French cinema today, its evolving rivalry with Hollywood, and its ambitious pursuits of audiences in Europe, North America, and around the world.
