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Provocative and ...persuasive...{Pletsch} has illuminated the process by which a gifted but awkward philology student became one of the modern world's most original thinkers... Deserves to be read...by anyone interested in the dynamics of creative influence and achievement.
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He argues that the concept of family resemblances, as that concept has been refined and extended in prototype theory in the contemporary cognitive sciences, is the most plausible analytical strategy for resolving the central problem of the book. In the solution proposed, religion is conceptualized as an affair of "more or less" rather than a matter of "yes or no," and no sharp line is drawn between religion and non-religion."--BOOK JACKET.
We tend to accept that German cities and states run their own cultural institutions (concert halls, theatres, museums). This book shows how this now “self-evident” fact became a reality in the course of the long nineteenth century.
This book attempts for the first time a comparative literary history of Germany and the USA in the nineteenth and twentieth centuries. Its material does not come from the familiar overlaps of individual German and American writers, but from the work of the literary historians of the two countries after 1815, when American intellectuals took Germany as a model for their project to create an American national literature. The first part of the book examines fundamental structural affinities between the two literary histories and the common problems these caused, especially in questions of canon, realism, aesthetics and in the marginalization of popular and women’s writing. In the second part,...
For more than a generation after World War II, offi cial government doctrine and many Austrians insisted they had been victims of Nazi aggression in 1938 and, therefore, bore no responsibility for German war crimes. During the past twenty years this myth has been revised to include a more complex past, one with both Austrian perpetrators and victims. Part one describes soldiers from Austria who fought in the German Wehrmacht, a history only recently unearthed. Richard Germann covers units and theaters Austrian fought in, while Th omas Grischany demonstrates how well they fought. Ela Hornung looks at case studies of denunciation of fellow soldiers, while Barbara Stelzl-Marx analyzes Austrian ...