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Petrarch’s revival of the ancient practice of laureation in 1341 led to the laurel being conferred on poets throughout Europe in the later Middle Ages and the Early Modern period. Within the Holy Roman Empire, Maximilian I conferred the title of Imperial Poet Laureate especially frequently, and later it was bestowed with unbridled liberality by Counts Palatine and university rectors too. This handbook identifies more than 1300 poets laureated within the Empire and adjacent territories between 1355 and 1804, giving (wherever possible) a sketch of their lives, a list of their published works, and a note of relevant scholarly literature. The introduction and various indexes provide a detailed account of a now largely forgotten but once significant literary-sociological phenomenon and illuminate literary networks in the Early Modern period. A supplementary Volume 5 of Poets Laureate in the Holy Roman Empire. A Bio-bibliographical Handbook will be published in June 2019.
Introduction: A Royal Visit -- 1:Lorenz Heidenreich (1480-1557), Oswald Pergener (1490s-1546) and the Many Faces of the Lusatian Reformation -- 2:Johannes Hass (c. 1476-1544): History Writing and Divine Intervention in the Early Reformation -- 3:Andreas Günther (1502-1570): Religion, Politics and Power in the Lusatian League -- 4:Bartholomäus Scultetus (1540-1614): Learning, Teaching and Remembering in the Towns of the Lusatian League -- 5:Johann Leisentrit (1527-1586): Redefining Catholicism in a Lutheran Region -- 6:Sigismund Suevus (1526-1596): Sharing Spaces and Objects -- 7:Martin Moller (1547-1606): Possibilities and Limits of Toleration -- 8:Friedrich Fischer (1558-1623): Repositioning Lutheranism and Negotiating Ways Forward -- Conclusion: The Lusatian Reformation.
Exploring the nexus of music and religious education involves fundamental questions regarding music itself, its nature, its interpretation, and its importance in relation to both education and the religious practices into which it is integrated. This cross-disciplinary volume of essays offers the first comprehensive set of studies to examine the role of music in educational and religious reform and the underlying notions of music in early modern Europe. It elucidates the context and manner in which music served as a means of religious teaching and learning during that time, thereby identifying the religio-cultural and intellectual foundations of early modern European musical phenomena and their significance for exploring the interplay of music and religious education today.
The Thirty Years’ War (1618-1648) lies at the intersection of early modern and modern times. Frequently portrayed as the concluding chapter of the Reformation, it also points to the future by precipitating fundamental changes in the military, legal, political, religious, economic, and cultural arenas that came to mark a new, the modern era. Prompted by the 400th anniversary of the outbreak of the war, the contributors reconsider the event itself and contextualize it within the broader history of the Reformation, military conflicts, peace initiatives, and negotiations of war.
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