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The purpose of this book is to highlight Carl Stumpf’s contributions to philosophy and to assess some of the aspects of his work. This book is divided into four sections, and also includes a general introduction on Stumpf’s philosophy. The first section examines the historical sources of his philosophy, the second examines some of the central themes of his work and the third examines his relationship to other philosophers. The fourth section consists of notes taken by Husserl during Stumpf’s lectures on metaphysics in Halle, Stumpf’s introduction to the edition of his correspondence with Brentano, which he prepared in 1929, and some important letters pertaining to this correspondence. This book also provides a comprehensive bibliography of the works of Stumpf.
Carl Stumpf was one of the founding fathers of Gestalt psychology. In this volume, first published in German in 1911 he discusses the origin and forms of musical activity as well as various theories on the origin of music.
Carl Stumpf (1848-1936) was a German philosopher and psychologist and a visionary and important academic. During his lifetime, he ranked among the most prominent scientists of his time. Stumpf's intention, as evident in his book, Tone Psychology, was to investigate the phenomenon of tone sensation in order to understand the general psychic functions and processes underlying the perception of sound and music. It could be argued that modern music psychology has lost or perhaps ignored the epistemological basis that Carl Stumpf developed in his Tone Psychology. To gain a confident psychological basis, the relevance of Stumpf's deliberations on music psychology cannot be overestimated. Analyses ...
James and Stumpf first met in Prague in 1882. James soon started corresponding with a “colleague with whose persons and whose ideas alike I feel so warm a sympathy.” With this, a lifelong epistolary friendship began. For 28 years until James’s death in 1910, Stumpf became James’s most important European correspondent. Besides psychological themes of great importance, such as the perception of space and of sound, the letters include commentary upon Stumpf’s (Tonpsychologie) and James’s main books (The Principles of Psychology, The Varieties of Religious Experience), and many other works. The two friends also exchange views concerning other scholars, religious faith and metaphysica...
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Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.
Hermann Lotze was a key figure in the philosophy of the second half of the 19th century, influencing practically all leading philosophical schools of the late 19th and the early 20th century: (i) the neo-Kantians; (ii) Brentano and his school of descriptive psychology; (iii) the British idealists; (iv) Husserl’s phenomenology; (v) Dilthey’s philosophy of life; (vi) Frege’s new logic; (vii) the early Cambridge analytic philosophy; (viii) William James’s pragmatism. The book first presents the main ideas of Hermann Lotze’s philosophy (Part I), and then traces his influence on the descriptive psychology of Franz Brentano and Carl Stumpf (Part 2) and Cambridge analytic philosophy (Part 3). In addition, the book includes Bertrand Russell’s conspectus of J. E. McTaggart’s 1898 lectures on Lotze.
This fourth book in the series continues the tradition of the popular earlier volumes by offering lively and entertaining information about some of contemporary psychology's most illustrious ancestors. The 21 chapters, many of them written by today's most visible and eminent authors, concentrate on the lives and achievements of major psychologists from a variety of areas. Created for undergraduate and graduate courses in the history of psychology, the variety of pioneers represented provide enough flexibility to also use it as a supplemental reader in other psychology courses. Each of the five volumes in this series contains different profiles thereby bringing more than 100 of the pioneers in psychology more vividly to life.
The central idea developed by the contributions to this book is that the split between analytic philosophy and phenomenology - perhaps the most impor tant schism in twentieth-century philosophy - resulted from a radicalization of reciprocal partialities. Both schools of thought share, in fact, the same cultural background and their same initial stimulus in the thought of Franz Brentano. And one outcome of the subsequent rift between them was the oblivion into which the figure and thought of Brentano have fallen. The first step to take in remedying this split is to return to Brentano and to reconstruct the 'map' of Brent ani sm. The second task (which has been addressed by this book) is to re...