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The Life of Guido Reni
The main source of what we know about Guido Reni is The Life of Guido Reni by Malvasia. It lets us see a major artist of the Italian Baroque through the eyes of his own age. The text contains considerable detail on what Guido painted, as well as his commissions and patrons. As Reni's close friend, Malvasia took much of his material from first-hand knowledge; documentary evidence from the artist's recently discovered account book attests to the reliability of his biographer's text. But Malvasia's biography is far more than a chronicle of facts about Reni's art. Through a wealth of illustrative incidents based on eyewitness accounts we come to know Reni as an individual, driven by compulsions,...
Felsina Pittrice
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Le Pitture Di Bologna
Originally published in the 17th century, this monumental work by Carlo Cesare Malvasia remains one of the most important sources of information on the art and artists of Bologna. The book features detailed descriptions and critical analyses of the paintings in Bologna's churches and public spaces, as well as biographies of the artists who created them. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Malvasia's Life of the Carracci
Ludovico, Agostino, and Annibale Carracci played leading roles in bringing about the changes in style and outlook that transformed the art of painting around 1600. Working both as a team and as individuals, they turned away from the conventions of Mannerism to reinvigorate the Renaissance tradition and usher in a new style, at once naturalistic, classical, and spirited. Malvasia's "Life of the Carracci" has been the principal source of knowledge about these pioneering artists since its first publication in 1678 in Felsina pittrice, vite de' pittori bolognesi. Malvasia, a law professor and a literary man, was brilliant, innovative, and contentious. His biography of the Carracci is pivotal to ...
Felsina Pittrice
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Felsina Pittrice
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Felsina Pittrice: Vite De' Pittori Bolognesi, Volume 2; Felsina Pittrice: Vite De' Pittori Bolognesi; Giampietro Zanotti Carlo Cesare Malvasia (conte), Giampietro Zanotti, Luigi Crespi, Vicente Victoria Tip. Guidi all'Ancora, 1841 Art; European; Art / European; Art / Individual Artist; Artists; Painting, Italian
Felsina Pittrice
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Felsina Pittrice
Described by Malvasia as the creator and promoter of the new maniera moderna, Guido introduces the fourth age of painting: a period marked by a new and sometimes bold elaboration on the notion of artistic perfection developed by the Carracci and achieved more specifically by Ludovico. Art in Italy could have declined again after the deaths of the Carracci, but thanks to Guido and Domenichino, Francesco Albani and Guercino, a renewed flowering of the art of painting prevails in Bologna and spreads throughout Italy. In assessing the role of Guido in promoting this new artistic vanguard, Malvasia finds himself in a theoretical impasse. On the one hand, he cannot resist his infatuation with Guid...
Felsina Pittrice
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