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Cocaine
In Carlotto's The Campagna Trail, Inspector Campagna uses an old friendship with notorious drug dealer Roby Pizzo in a Machiavellian attempt to keep the peace. But when an interfering new police chief demands Campagna bring down the Mafioso who heads Pizzo's gang, Campagna must use every weapon he has to save his job - and his life. Meanwhile in Carofiglio's The Speed of the Angel, a writer in crisis strikes up an unlikely friendship with a mysterious woman he meets in a quiet seaside café. As their conversations deepen, and their obsessions darken, their drug-fuelled relationship begins to spiral, in this haunting tale of damnation and redemption. Finally in De Cataldo's The White Powder Dance, the city police are put on the trail of a baby-faced new graduate in the Milanese banking sector. As the pursuit accelerates through back streets and skyscrapers, it becomes clear that there is more to organised crime than getting your hands dirty.
Politics and Society in Italian Crime Fiction
This book comprehensively covers the history of Italian crime fiction from its origins to the present. Using the concept of "moral rebellion," the author examines the ways in which Italian crime fiction has articulated the country's social and political changes. The book concentrates on such writers as Augusto de Angelis (1888-1944), Giorgio Scerbanenco (1911-1969), Leonardo Sciascia (1921-1989), Andrea Camilleri (b. 1925), Loriano Macchiavelli (b. 1934), Massimo Carlotto (b. 1956), and Marcello Fois (b. 1960). Through the analysis of writers belonging to differing crucial periods of Italy's history, this work reveals the many ways in which authors exploit the genre to reflect social transformation and dysfunction.
Uncertain Justice
The crime genre entered Italy in the late nineteenth century, and if initially Italian authors followed models developed abroad—principally in the United States, England and France—a uniquely Italian brand began to emerge soon. Il giallo, as the crime genre has been known in Italy since the 1930s, proved to be the ideal instrument to confront pressing and often uncomfortable issues which were pertinent to the Italian context: it became a useful tool to restore, symbolically at least, the truth and justice that were, and still are, perceived by a large part of the Italian reading public to be systematically denied in reality. In today’s Italy, the crime genre, and particularly its noir ...
Murder Made in Italy
A study of three high-profile Italian murder cases, how they were covered by the media, and what it all says about Italian culture. Looking at media coverage of three very prominent murder cases, Murder Made in Italy explores the cultural issues raised by the murders and how they reflect developments in Italian civil society over the past twenty years. Providing detailed descriptions of each murder, investigation, and court case, Ellen Nerenberg addresses the perception of lawlessness in Italy, the country’s geography of crime, and the generalized fear for public safety among the Italian population. Nerenberg examines the fictional and nonfictional representations of these crimes through t...
Italian Crime Fiction in the Era of the Anti-Mafia Movement
Over the last three decades, Italian crime fiction has demonstrated a trend toward a much higher level of realism and complexity. The origins of the New Italian Epic, as it has been coined by some of its proponents, can be found in the widespread backlash against the Mafia-sponsored murders of Sicilian magistrates which culminated with the assassinations of Judges Giovanni Falcone and Paolo Borsellino in 1992. Though beginning in the Italian language, this prolific, popular movement has more recently found its way into the English language and hence it has found a much wider international audience. Following a brief, yet detailed, history of the cultural and economic development of Sicily, t...
Crimini
Italian crime writing is replacing that of Scandinavia as the fastest growing in the genre. The huge success of Niccolo Ammaniti, followed by the Gabriele Salvatore film of the same name took the UK by storm. Andrea Camilleri's Inspector Montalban series (Picador), Carlo Lucarelli's Almost Blue (Vintage) and carte Blanche (Europa) and Massimo Carlotto's The Good-bye Kiss (Europa) are further evidence of this surge. These authors, and others, are represented in this volume, which contains nine gripping and often darkly hilarious stories.
Encrucijadas en la cultura italiana.
Encrucijadas en la Cultura italiana se presenta aquí justamente como lo que signifi ca, en su primera acepción, el término encrucijada, es decir: el lugar donde se cruzan los caminos.En el caso de caminos reales, las encrucijadas son siempre resultado de factores que tienen que ver con el paisaje, con la orografía, con la climatología y con el producto de la imaginación y el ingenio humanos, prontos a configurar un territorio. El punto de encuentro de las encrucijadas del presente volumen es claramente un punto imaginario, aunque no impreciso, indeterminado o irrevelante, sino un punto concreto donde son capaces de hallarse, hermanarse, darse la mano e interrelacionarse las distintas d...
Italian Literature since 1900 in English Translation
Providing the most complete record possible of texts by Italian writers active after 1900, this annotated bibliography covers over 4,800 distinct editions of writings by some 1,700 Italian authors. Many entries are accompanied by useful notes that provide information on the authors, works, translators, and the reception of the translations. This book includes the works of Pirandello, Calvino, Eco, and more recently, Andrea Camilleri and Valerio Manfredi. Together with Robin Healey’s Italian Literature before 1900 in English Translation, also published by University of Toronto Press in 2011, this volume makes comprehensive information on translations from Italian accessible for schools, libraries, and those interested in comparative literature.
El protegido
Jaime es un tipo que se resigna a una vida relativamente anodina. Trabaja en una asesoría fiscal, acaba de separarse, practica una obstinada paternidad con el hijo de otro hombre y tiene una nueva relación condenada al fracaso. Pero ese mundo más o menos previsible se desmorona un día cuando lo turbio y salvaje irrumpe en su vida. Empujado por su sentido del deber, mata a dos individuos (o quizá no) para evitar que lo arrastre la corriente de los acontecimientos. Vivirá el pánico de sentirse perseguido y comprobará que cuenta con recursos hasta entonces impensables. También que la mujer de sus sueños puede ser el amor de su vida.
