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Canadian Fiddle Music Volume 1
Canadian fiddle music receives the credit and recognition it deserves in this lively collection of tunes from virtually every province and ethnic group in Canada. Originally published in 1990, this project is the result of generous donations by numerous fiddlers and fans of fiddle music. In addition to the preservation and popularization of this folk music form, the contributors shared these common goals in this endeavor: composer recognition, folk music revitalization in Canada and abroad, acknowledgement of the violin and its own origins in the development of fiddle music and its place in Canadian society, note reading and chording, and to pay tribute to many great fiddlers. This revised edition features contributions of 200 of the best tunes from the first printing as well as 200 new tunes. They consist of hornpipes, strathspeys, polkas, waltzes, calypsos, reels, clogs, two-steps, jigs, airs, breakdowns, schottishes, marches, rags, and laments. A bibliography and the background of each composer is included.
Fiddle music in the Ottawa Valley
A musical exploration of the repertoire of Ottawa Valley fiddler, Dawson Girdwood. Transcripts of the tunes, including variations, embellishments, and bowing indications are provided.
The Crooked Stovepipe
Named for a popular local fiddle tune, The Crooked Stovepipe is a rollicking, detailed, first-ever study of the indigenous fiddle music and social dancing enjoyed by the Gwich'in Athapaskan Indians and other tribal groups in northeast Alaska, the Yukon, and the northwest territories. Though the music has obvious roots in the British Isles, French Canada, and the American South, the Gwich'in have used it in shaping their own aesthetic, which is apparent in their choice of fiddle tunings, bowing techniques, foot clogging, and a distinctively stratified tune repertoire. Craig Mishler treats this rural subarctic artistic tradition as a distinctive regional style akin to Cajun, bluegrass, or string-band music. He uses convergence theory as the framework for showing how this aesthetic came about. His skillful use of personal anecdotes, interviews, music examples, dance diagrams, and photographs will appeal to general readers interested in folk music and dance, as well as to specialists.
IASA Journal
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Eat Your Heart Out
A breakneck tale of kick-ass, wise-ass, sexy-ass lesbians and zombies, Eat Your Heart Out opens on what promises to be another tediously annoying day at Ashbee's Furniture Outlet. Then the strip-mall calm of Nowhere, Ohio, is shattered by the sudden, simultaneous appearance of Renni Ramirez-hyper-competent star of the beloved Rising Evil B-movie franchise-and actual zombies, leaving Ashbee's hapless staff and Renni trapped behind an automatic door they can't lock. Can failed creative-writing student/apprentice store manager/eagle-eyed markswoman Devin escape the besieged furniture store to rescue her girlfriend? Will Renni's experience slaughtering motion-captured CGI monsters save the day before the army bombs the town? Once bitten, how many zombies can a person expect to take out before succumbing to infection? Who is the mysterious Deus Ex Machina, and what is he doing with that bone saw? All of these questions and more whisper behind the scream of the single most important thing Devin needs to know in order to survive: is Renni a top or a bottom?
Akin To No One
Akin to No One belongs to an appealing genre known as Bildungsroman, a work of literature concerned with a young person’s passage from childhood to maturity through education and emotional development. This moving novel traces the life of Grace Saint-Jean from the time she learns to negotiate the busy thoroughfares of Port-au-Prince and “wasn’t sure what school was exactly”—to the time she earns a doctorate from the Sorbonne and walks down the Champs Elysees with confidence—to the time she returns to Haiti imbued with a determination to help its poorest children get an education so they can have a brighter future. Grace’s own early experiences at school were not always pleasant...
Talking About Global Migration
How do migrants describe themselves and their experiences? As the world faces a migration crisis, there is an enhanced need for educational responses to the linguistic and cultural diversity of student bodies, and for consideration of migrant students at all levels of the curriculum. This book explores the stories of over 70 migrants from 41 countries around the world and examines the language they use when talking about their move to a new country and their experiences there. The book interprets common themes from the stories using metaphor and metonymy analysis to lead to more nuanced understandings of migration that have implications for language teachers. The stories also dispel many stereotypes relating to migration, serving as a reminder to us all to consider our own language when talking about this complex subject.
Bibliographie Internationale D'anthropologie Sociale Et Culturelle 1994
The IBSS is the essential tool for librarians, university departments, research institutions and any public or private institution whose work requires access to up-to-date and comprehensive knowledge of the social sciences.
A Spark From Embers
A spark smolders within every fading ember. Awaiting the right moment to reignite. To blaze into an inferno. Eighteen-year-old Sadie’s fiery ambitions have faded to embers. Her dreams of escaping the shackles of her conventional life and seeking heroic adventures have been doused by an arranged marriage. Women in 1914 were expected to be Helen of Troy, not Achilles. Doomed to the life of obscurity she always feared, Sadie takes a chance on an anonymous note—and finds a mirror portal to Arwé, the parallel world featured in her shunned great-grandfather’s book. But when she steps through, the portal closes behind her. Cut off from her brother Connor and stuck with Tristan, the enigmatic...
