You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Ian McKay shows how the tourism industry & cultural producers have manipulated the cultural identity of Nova Scotia to project traditional folk values. He offers analysis of the infusion of folk ideology into the art & literature of the region, & the use of the idea of the 'simple life' in tourism promotion.
This volume provides a historical overview of the development and role of Anglo-Canadian folklore studies in Canada and their relationship to similar research conducted with respect to French Canadians, minority groups within Canada, within the wider Canadian context, and at the international level.
This introduction to the folk fiddling tradition of Prince George, British Columbia, offers a brief overview of the genre, biographical sketches of three of the region’s fiddlers, and fourteen melodies.
This ethnomusicological study focuses on the musical behaviour and dance observed in the summer of 1973 among members of the Windsor, Ontario Afro-Canadian community during religious services at Mt. Zion Church. The history of the group as well as details of musical ritual are analyzed in depth.
During the summer of 1972 the life histories of four Hungarian immigrants to Canada were recorded on tape in and around Delhi in southwestern Ontario, a major tobacco farming district.
A critical assessment of traditional approaches to life histories is juxtaposed against the presentation of stories related by an eighty-eight year old man living on the north shore of Lake Superior describing his experiences living and working in the bush.
An examination of the relationship between the showing of family photograph albums and the telling of family lore.
This anthology emanated from a conference in St. John’s, Newfoundland, that brought together popular music scholars, folklorists and ethnomusicologists from Canada and Australia. Implicit in that conference and in this anthology is the comparability of the two countries. Their ‘post-colonial’ status (if that is indeed an appropriate modifier in either case) has some points of similarity. On the other hand, their ‘distance’ – from hegemonic centres, from colonial histories – is arguably more a matter of contrast than similarity. Canada and Australia are similar in various regards. Post-colonial in the sense that they are both former British colonies, they now each have more than...
Redressing a neglect of women's traditions and feminist perspectives in Canadian folklore studies, 20 contributions discuss female experiences of traditional culture from feminist viewpoints. The authors look at the effect of gender on the collecting and interpreting of women's folklore, negative and positive images of women in traditional and popular culture, and women's use of creativity in their everyday lives. Some contributors are nonacademics. Annotation copyrighted by Book News, Inc., Portland, OR
The popular conception of Nova Scotians as a pure, simple, idyllic people is false, argues Ian McKay. In The Quest of the Folk he shows how the province's tourism industry and cultural producers manipulated and refashioned the cultural identity of the region and its people to project traditional folk values. McKay offers an in-depth analysis of the infusion of a folk ideology into the art and literature of the region and the use of the idea of the "Simple Life" in tourism promotion. He examines how Nova Scotia's cultural history was rewritten to erase evidence of an urban, capitalist society, class and ethnic differences, and women's emancipation. In doing so he sheds new light on the roles of Helen Creighton, the Maritime region's most famous folklorist, and Mary Black, an influential handicrafts revivalist, in creating this false identity.