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Ian McKay shows how the tourism industry & cultural producers have manipulated the cultural identity of Nova Scotia to project traditional folk values. He offers analysis of the infusion of folk ideology into the art & literature of the region, & the use of the idea of the 'simple life' in tourism promotion.
An examination of the relationship between the showing of family photograph albums and the telling of family lore.
This ethnomusicological study focuses on the musical behaviour and dance observed in the summer of 1973 among members of the Windsor, Ontario Afro-Canadian community during religious services at Mt. Zion Church. The history of the group as well as details of musical ritual are analyzed in depth.
Redressing a neglect of women's traditions and feminist perspectives in Canadian folklore studies, 20 contributions discuss female experiences of traditional culture from feminist viewpoints. The authors look at the effect of gender on the collecting and interpreting of women's folklore, negative and positive images of women in traditional and popular culture, and women's use of creativity in their everyday lives. Some contributors are nonacademics. Annotation copyrighted by Book News, Inc., Portland, OR
This volume provides a historical overview of the development and role of Anglo-Canadian folklore studies in Canada and their relationship to similar research conducted with respect to French Canadians, minority groups within Canada, within the wider Canadian context, and at the international level.
Diamond Jenness was one of the most outstanding Canadian anthropologists of the early twentieth century. His books, The Indians of Canada and People of the Twilight, are classics. Now, details about the private life of this dedicated scholar are revealed in his own words augmented with contributions by his son Stuart.
A study of a ten-member rural sibling group, characterized by a high degree of specialization in traditional skills, which determines the factors regulating the achievement of status in a family setting.
During the summer of 1972 the life histories of four Hungarian immigrants to Canada were recorded on tape in and around Delhi in southwestern Ontario, a major tobacco farming district.
A critical assessment of traditional approaches to life histories is juxtaposed against the presentation of stories related by an eighty-eight year old man living on the north shore of Lake Superior describing his experiences living and working in the bush.
Marius Barbeau (1883-1969) played a vital role in shaping Canadian culture in the twentieth century. Rooted in the premise that his cultural work – in anthropology, fine arts, music, film, folklore studies, fiction, historiography – cannot be read uni-dimensionally, the sixteen articles that comprise this book demonstrate that by merging disciplinary perspectives about Barbeau, evaluations and understandings of the situation around Barbeau can be deepened.