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Placing the philosopher John Dewey and the poet William Carlos Williams together—two important figures of twentieth-century American culture—this book examines the ambitions and failings of progressive liberal culture during the first half of the twentieth century. This book shows that, while their work ostensibly shares little in common, Williams and Dewey share the ambition to realize the radical potential of a democratic cultural politics. Including close readings of texts like Williams's Spring and All, In the American Grain, and Paterson, and Dewey's Individualism Old and New and Art as Experience, Beck offers an important contribution to current debates over the relationship between politics and cultural production.
Literature and Modern Time is a collection of essays that explore literature in the context of a wave of challenges to linear conceptions of time introduced by thinkers such as Bergson, Einstein, McTaggart, Freud and Nietzsche. These challenges were not uniform in character. The volume will demonstrate that literature of the era under scrutiny was not simply reacting to new theories of time—in some cases it is actually inspiring and anticipating them. Thus Literature and Modern Time promises to offer a genuine dialogue between literature and time theory and in doing so will uncover and examine influences and connections— sometimes unexpected—between philosophers and writers of the era....
"A vivid sense of strangeness": Einstein's path to the Zionist movement -- A different kind of nationalism: Einstein's induction and mobilization into the Zionist movement -- The "prize-winning ox" in "Dollaria": Einstein's fundraising trip to the United States in 1921 -- Secular pilgrim or Zionist tourist?: Einstein's tour of Palestine in 1923 -- The "botched university": Einstein's involvement in the Hebrew University, 1924-1929 -- "A genuine symbiosis": Einstein on the 1929 clashes in Palestine -- The "bug-infested house": Einstein's involvement in the Hebrew University, 1930-1933.
Our thinking is inhabited by images-images of sometimes curious and overwhelming power. The mushroom cloud, weird rays that can transform the flesh, the twilight world following a nuclear war, the white city of the future, the brilliant but mad scientist who plots to destroy the world-all these images and more relate to nuclear energy, but that is not their only common bond. Decades before the first atom bomb exploded, a web of symbols with surprising linkages was fully formed in the public mind. The strange kinship of these symbols can be traced back, not only to medieval symbolism, but still deeper into experiences common to all of us. This is a disturbing book: it shows that much of what ...
Canaday, a poet and playwright who has been a Watson Fellow and a Starbuck Fellow in Poetry at Boston University, analyzes a variety of texts produced by physicists before, during, and after WWII, including Niels Bohr's "The Quantum Postulate"; the technical lectures used for training at Los Alamos; scientist's descriptions of their work and of the Trinity test; and Leo Szilard's postwar novella, The Voice of the Dolphins. He looks at physicists' use of figurative language in the development of quantum theory, and examines the role played by the rhetorics of exploration and religion in the construction of the Los Alamos community. Includes bandw historical photos. Annotation copyrighted by Book News Inc., Portland, OR
A wide-ranging and novel study of metaphor as the generative principle giving shape and substance to Eliot's poetic imagination.
From Isaacson, the bestselling author of "Benjamin Franklin," comes the first full biography of Albert Einstein since all his papers have become available--a fully realized portrait of a premier icon of his era.
Drawing on a colloquium held at St Deniol's library in 2005, this book focuses on the contemporary possibilities inherent in medical science and the challenges that this raises for an understanding of human identity. It offers philosophical and scientific debates as to how far there can be any claim for the existence of human nature as such.
In The Rise of Surrealism, Willard Bohn examines the various literary and artistic developments that prepared the way for the international Surrealist movement—including Cubism, Metaphysical Art, and Dada—as well as the triumph of Surrealism itself. In an analysis that spans the first two-thirds of the twentieth century, Bohn surveys writers and artists from France, Italy, Germany, Spain, Argentina, Mexico, Chile, and the United States, examining both their aversion to mimesis and the solutions they devised to replace it. Much of the book is concerned with competing artistic models and with different strategies for creating avant-garde works, and focuses on such figures as Guillaume Apollinaire, Max Weber, Marius de Zayas, Francis Picabia, Giorgio de Chirico, André Breton, J. V. Foix, and Joan Miró. The dynamics of the imagery that painters and poets chose to employ and the new roles this imagery assumed in their compositions are also discussed.
The Oxford Encyclopedia of American Cultural and Intellectual History brings together in one two-volume set the record of the nation's values, aspirations, anxieties, and beliefs as expressed in both everyday life and formal bodies of thought. Over the past twenty years, the field of cultural history has moved to the center of American historical studies, and has come to encompass the experiences of ordinary citizens in such arenas as reading and religious practice as well as the accomplishments of prominent artists and writers. Some of the most imaginative scholarship in recent years has emerged from this burgeoning field. The scope of the volume reflects that development: the encyclopedia ...