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The Gift in Sixteenth-century France
  • Language: en
  • Pages: 318

The Gift in Sixteenth-century France

  • Type: Book
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  • Published: 2000
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  • Publisher: Unknown

Must a gift be given freely? How can we tell a gift from a bribe? Are gifts always a part of human relations--or do they lose their power and importance once the market takes hold and puts a price on every exchange? These questions are central to our sense of social relations past and present, and they are at the heart of this book by one of our most intersting and renowned historians.

Do Ut Des
  • Language: en
  • Pages: 317

Do Ut Des

None

The Order of the Golden Tree
  • Language: en
  • Pages: 306

The Order of the Golden Tree

This book explores the policy objectives underlying the gift of this Order, to sixty men, on January 1 1403. Drawing primarily on Philip's household accounts, it undertakes complementary iconographical and prosopographical analyses (of the Order insignia's form, materials, design and motto; and of distinguishing common features among its recipients), refined by reference to his policy concerns around the occasion of its bestowal, to test seven hypotheses. The evidence from the analyses enables six of these (that it was purely decorative; a courtly conceit; crusade-related; a military chivalric order; a livery badge; or a military alliance) progressively to be discarded, pointing strongly to ...

Models of Change in Medieval Textual Culture
  • Language: en
  • Pages: 320

Models of Change in Medieval Textual Culture

Change is a matter of central concern and interest in the study of history, and it has been approached with various methodological and theoretical means in different historical disciplines. The concept is, however, rarely addressed per se, despite its fundamental role for historical insight. This book addresses different kinds of change in medieval textual culture as examples or models of change. A model can take different forms: it consists of abstract representations, like a flowchart or a series of stages within a development, it might be a concept, like paradigm shift, or a single, but telling historical example. In their different forms, models serve as conceptual tools to enlighten historical instances of change. The contributions of this volume gather cases from a series of aspects of medieval textual culture which are subject to change: physical books, the acoustics of performed text, textualized worlds, scribes and authorship, genre, the choice of language in texts, and paleographic variance. The book also addresses problems of thinking in models and metaphors of change, as they also - as idols of the market - have the power to lead us astray if not carefully meditated.

The Household and Court of James IV of Scotland, 1488-1513
  • Language: en
  • Pages: 201

The Household and Court of James IV of Scotland, 1488-1513

Offers a fresh perspective on the role of the court in late medieval Scotland, framing it within the wider field of court studies, highlighting its centrality to the effective government for which James IV is renowned. James IV is regarded by many historians as the most charismatic and politically successful of Scotland's rulers, with his royal court, and the institution of the royal household which underpinned it, at the heart of his reign. This book, the first comprehensive examination of the subject, takes the structures and personnel of the household - from councillors to stable-hands - as the foundation for its study of the court and its role. Beginning by looking at the distinction bet...

Jan van Eyck and Portugal's 'Illustrious Generation'
  • Language: en
  • Pages: 887

Jan van Eyck and Portugal's 'Illustrious Generation'

  • Categories: Art
  • Type: Book
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  • Published: 2013-12-31
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  • Publisher: Pindar Press

This book investigates Jan Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter for the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429, when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided for the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analysed with regard to King Joao I's conquest of Ceuta, achieved by his sons, who were hailed as an "illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania's sustained fascination with Arthurian lo...

The Writer's Gift or the Patron's Pleasure?
  • Language: en
  • Pages: 336

The Writer's Gift or the Patron's Pleasure?

The Writer's Gift or the Patron's Pleasure? introduces a new approach to literary patronage through a reassessment of the medieval paragon of literary sponsorship, Charles V of France. Traditionally celebrated for his book commissions that promoted the vernacular, Charles V also deserves credit for having profoundly altered the literary economy when bypassing the traditional system of acquiring books through gifting to favor the commission. When upturning literary dynamics by soliciting works to satisfy his stated desires, the king triggered a multi-generational literary debate concerned with the effect a work's status as a solicited or unsolicited text had in determining the value and purpose of the literary enterprise. Treating first the king's commissioned writers and then canonical French late medieval authors, Deborah McGrady argues that continued discussion of these competing literary economies engendered the concept of the "writer's gift," which vernacular writers used to claim a distinctive role in society based on their triple gift of knowledge, wisdom, and literary talent.

Conference -
  • Language: en
  • Pages: 44
Public Communication in European Reformation
  • Language: en
  • Pages: 380

Public Communication in European Reformation

  • Type: Book
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  • Published: 2007
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  • Publisher: Unknown

None

  • Language: en
  • Pages: 283

"Agency, Visuality and Society at the Chartreuse de Champmol "

  • Categories: Art
  • Type: Book
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  • Published: 2017-07-05
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  • Publisher: Routledge

Grounded in archival sources, this interdisciplinary study explores the profound historical significance of the mausoleum of the Valois Dukes of Burgundy - the Chartreuse de Champmol. Although the monument is well known as the site of pivotal works of art by Claus Sluter, Melchior Broederlam, Jean de Beaumetz and others, until now art historians have not considered how these works functioned at the center of a complex social matrix. Sherry Lindquist here considers the sacred subjects of the various sculptures and paintings not merely as devotional tools or theological statements, but as profoundly influential social instruments that negotiated complex interactions of power. Lindquist's sophisticated discussion coordinates analysis of primary sources with the most up-to-date scholarship in the field of art history, not only with respect to late medieval Burgundian art, but also to more theoretical questions pertaining to reception.