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When We Were Young in Africa
Imagine you are watching a movie and suddenly the action stops and the credits begin to roll. Leaving Africa was like that. I had been going along in my African story, full of its sights and sounds and smells'children balancing kerosene tins on their heads, drums rumbling at night, air scented by smoke from charcoal and wood fires. . . And then: Cut. It was over. After twelve years of growing up mostly in West Africa, I was back in the United States, where people thought growing up in Africa was strange and growing up the daughter of missionaries was even stranger. I learned to avoid mentioning that part of my life at all, because if I did, I would feel the stereotypes close round me. I did ...
Ending British rule in Africa
On the eve of World War II, a small, impoverished group of Africans and West Indians in London dared to imagine the unimaginable: the end of British rule in Africa. In books, pamphlets, and periodicals, they launched an anti-colonial campaign that used publishing as a pathway to liberation. West Indians George Padmore, C. L. R. James, and Ras Makonnen; Kenya’s Jomo Kenyatta and Sierra Leone’s I. T. A. Wallace Johnson –made their point: that colonial rule was oppressive and inconsistent with the democratic ideals Britain claimed at home. Ending British Rule in Africa draws on previously unexplored manuscript and archival collections to trace the development of this publishing community from its origins in George Padmore’s American and Comintern years through the independence of Ghana in the 1957. This original study will be of interest to scholars and general readers interested in social movements, diaspora studies, empire and African history, publishing history, literary history, and cultural studies.
Divided Minds
This history of the climatic years of the civil rights movement depicts the reluctance of American intellectuals to participate in its efforts or adopt its cause. Based on unpublished archival material and new interviews, the book presents a portrait of leading writers and scholars responding with ambivalence to the movement. Polsgrove (journalism, Indiana University at Bloomington) contrasts the moderate voices of Faulkner, Ellison, Woodward, and Warren with their more radical counterparts, represented by Wright, Du Bois, Reddick, Zinn, and Silver. c. Book News Inc.
It Wasn't Pretty, Folks, But Didn't We Have Fun?
"The sixties in America was a wild, giddy ride, an amazing Technicolor adventure, and no magazine caught the spirit of its apocalyptic fun as definitively as Esquire. Its brilliant, buccaneering editor Harold Hayes transformed the once-somnolent men's fashion magazine into a literary and cultural proving ground, where pure iconoclasm and blazing talent reigned. Art director George Lois put Sonny Liston on the cover as Santa Claus and Muhammad Ali as St. Sebastian. Tom Wolfe, Gay Talese, Garry Wills, Michael Herr, and others virtually invented a "New Journalism" equal to the task of deconstructing celebrity, celebrating pop culture, comprehending wars and demonstrations and riots and assassinations. Diane Arbus captured photographic images that reflected a disturbing, hidden America, and fiction writers as diverse as Norman Mailer and Raymond Carver did much the same in words." "Journalist and historian Carol Polsgrove has written the definitive history of this decade-long high-water mark in American magazine journalism."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
It Wasn't Pretty, Folks, But Didn't We Have Fun?
Possibly the best book ever written about an American magazine editor, this biography offers a 3-D view of the assassinations, the student riots, the counterculture, the politicians, the pop icons and the war that made the 60s America's unforgettable decade. Under the aegis of former Marine Harold Hayes, Esquire helped turn journalists, editors and photographers like Tom Wolfe, Gay Talese, Raymond Carver, Michael Herr, John Berendt and Diane Arbus into celebrities in their own right. Polsgrove's brilliant book, often resembling an Esquire cover story, offers a warts and all portrait of Hayes. Afterword by Ben Bagdikian.
A History of the Book in America
V. 1. The colonial book in the Atlantic world: This book carries the interrelated stories of publishing, writing, and reading from the beginning of the colonial period in America up to 1790. v. 2 An Extensive Republic: This volume documents the development of a distinctive culture of print in the new American republic. v. 3. The industrial book 1840-1880: This volume covers the creation, distribution, and uses of print and books in the mid-nineteenth century, when a truly national book trade emerged. v. 4. Print in Motion: In a period characterized by expanding markets, national consolidation, and social upheaval, print culture picked up momentum as the nineteenth century turned into the twentieth. v. 5. The Enduring Book: This volume addresses the economic, social, and cultural shifts affecting print culture from Word War II to the present.
Conversations with Wendell Berry
"Whether we know it or not, whether we want to be or not, we are members of one another." Since 1960, Wendell Berry (b. 1934) has produced one of the most substantial and consistently thematic bodies of work of any modern American writer. In more than fifty books in various genres-novels, short stories, poems, and essays-he has celebrated a life lived in close communion with neighbors and the earth and has addressed many of our most urgent cultural maladies. His collections of essays urge us to think and act responsibly as members of a community-both human and natural. Volumes of his poems seek to wed us to nature and realign our vision with its mysteries. His growing Port William cycle of n...
The Fire Is Upon Us
Paperback reprint. Originally published: 2019.
Great African-American Men in America history vol I
great african-american men in america history vol I talks about the great contributions of great african american men. From politics, economy, to sports and entertainment.
The Burning House
Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. The Briar Patch -- 2. The White Mare -- 3. Inner Conflict -- 4. Invisible Man -- 5. The Color Curtain -- 6. Intruder in the Dust -- 7. Fire Next Time -- 8. Everything That Rises Must Converge -- 9. Who Speaks for the Negro? -- 10. The Demonstrators -- 11. Mockingbirds -- 12. The Cantos -- 13. Regents v. Bakke -- 14. The Last Lynching -- 15. Beyond the Peacock -- 16. Missouri v. Jenkins -- Conclusion -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- W
