Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
From Fictionalism to Realism
In ontology, realism and anti-realism may be taken as opposite attitudes towards entities of different kinds, so that one may turn out to be a realist with respect to certain entities, and an anti-realist with respect to others. In this book, the editors focus on this controversy concerning social entities in general and fictional entities in particular, the latter often being considered nowadays as kinds of social entities. More specifically, fictionalists (those who maintain that we only make-believe that there are entities of a certain kind) and creationists (those who believe that entities of a certain kind are the products of human activity) present themselves as the champions of the anti-realist and the realist stance, respectively, regarding the above entities. By evaluating the pros and cons of both these positions, this book intends to focus new light on a longstanding debate.
Confessions of a Young Novelist
Umberto Eco published his first novel, The Name of the Rose, in 1980, when he was nearly fifty. In these “confessions,” the author, now in his late seventies, looks back on his long career as a theorist and his more recent work as a novelist, and explores their fruitful conjunction. He begins by exploring the boundary between fiction and nonfiction—playfully, seriously, brilliantly roaming across this frontier. Good nonfiction, he believes, is crafted like a whodunnit, and a skilled novelist builds precisely detailed worlds through observation and research. Taking us on a tour of his own creative method, Eco recalls how he designed his fictional realms. He began with specific images, m...
Philosophical Essays on Ugo Nespolo's Art and Cinema
An indefatigable experimenter with new creative possibilities. With his work, the Italian artist Ugo Nespolo (1941-) has given shape to a poetics that stands out in the contemporary art scene by existing on the border between avant-garde and pop. He has experimented in almost every field of art, in and out of different screens, from paintings to installations and cinema. This book is a collection of philosophical essays that analyse Nespolo’s poetics from different theoretical perspectives, focused in particular on his artworks and films. The book consists of three sections. The first includes essays dedicated to Nespolo’s works that fall within the visual arts. The second presents contributions that investigate his cinema and some of his films. The third section concludes the book with two interviews conducted at different stages of Nespolo’s career, which tackle some of the key themes of his poetics, offering a direct insight into his theoretical reflection.
Nature and Its Unnatural Relations
Consisting of contributions from a host of international scholars (in fields as diverse as literature, architecture, philosophy, and education), Alain Beauclair and Josh Toth’s Nature and Its Unnatural Relations: Points of Access intercedes in ongoing debates about accessing, defining, and respecting a world humans continue to misuse and misunderstand—and that, as a result, is becoming increasingly inhospitable. The chapters shuttle between a variety of aesthetic and philosophical concerns—from theology and Biblical interpretation to colonialism, hermeneutics, phenomenology, worlding, posthumanism, and speculative realism. These varied approaches are united by a single aporetic thread:...
Doc-Humanity
However you view the present time, it is a new century, a new world, and also a new humanity - in fact, humanity is not something that was ever defined once and for all, but remains an open project. For several decades we have been witnessing a revolution. However, unlike the political and ideological revolutions that took place around the First World War, this is a technological and much more radical one that does not depend on people's beliefs, but rather on the tireless labour of machines. The rise of automation has brought about a revelation of something that had hitherto remained hidden in the workshops of homo faber. That is, there are very few functions, apart from consumption, where ...
Biodeconstruction
In Biodeconstruction, Francesco Vitale demonstrates the key role that the question of life plays in Jacques Derrida's work. In the seminar La vie la mort (1975), Derrida engages closely with the life sciences, especially biology and evolution theory. Connecting this line of thought to his analysis of cybernetics in Of Grammatology, Vitale shows how Derrida develops a notion of biological life as itself a sort of text that is necessarily open onto further articulations and grafts. This sets the stage for the deconstruction of the traditional opposition between life and death, conceiving of death as an internal condition of the constitution of the living rather than being the opposite of life. It also provides the basis for the deconstruction of the rigidly deterministic concept of the genetic program, an insight that anticipates recent achievements of biological research in epigenetics and sexual reproduction. Finally, Vitale argues that this framework can enrich our understanding of Derrida's late work devoted to political issues, connecting his use of the autoimmunitarian lexicon to the theory of cellular suicide in biology.
In Other Shoes
In fifteen essays-one new, two newly revised and expanded, three with new postscripts-Kendall L. Walton wrestles with philosophical issues concerning music, metaphor, empathy, existence, fiction, and expressiveness in the arts. These subjects are intertwined in striking and surprising ways. By exploring connections among them, appealing sometimes to notions of imagining oneself in shoes different from one's own, Walton creates a wide-ranging mosaic of innovative insights.
Grazer Philosophische Studien, Vol. 80 - 2010
Inhaltsverzeichnis/Table of Contents Abhandlungen/Articles Massimiliano Vignolo: Why Non-Factualists Should Love Conceptual Role Semantics Jeffrey Goodman: Fictionalia as Modal Artifacts Alberto Voltolini: Against Against Fictional Realism Roderick Batchelor: Grounds and Consequences Timm Lampert and Michael Baumgartner: The Problem of Validity Proofs Ish Haji: On the Direct Argument for the Incompatibility of Determinism and Moral Responsibility Matthias Neuber: Philosophie der modernen Physik ¿ Philipp Frank und Abel Rey Nicola Mössner: Testimoniale Akte neu definiert ¿ ein zentrales Problem des Zeugnisses Anderer Simon Dierig: Goldmans Scheunen-Beispiel und das Problem der Vereinbarkeit von Externalismus und Selbstkenntnis Diskussionen/Discussions Essay-Wettbewerb/Essay Competition Besprechungen/Review Essays Buchnotizen/Critical Notes Eingelangte Bücher/Books Received
The Normativity of Musical Works: A Philosophical Inquiry
The essay advocates a theory of the musical work as a “social object” which is based on a trace informed by a normative value. Such a normativity is explored in relation to three ways of fixing the trace: orality, notation and phonography.
How to Revise a True War Story
“You can tell a true war story if you just keep on telling it,” Tim O’Brien writes in The Things They Carried. Widely regarded as the most important novelist to come out of the American war in Viet Nam, O’Brien has kept on telling true war stories not only in narratives that cycle through multiple fictional and non-fictional versions of the war’s defining experiences, but also by rewriting those stories again and again. Key moments of revision extend from early drafts, to the initial appearance of selected chapters in magazines, across typescripts and page proofs for first editions, and through continuing post-publication variants in reprints. How to Revise a True War Story is the ...
