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100+ Black Women in Horror
Containing the biographies of over one hundred black women who write horror, 100+ Black Women in Horror is a reference guide, a veritable who's who of female horror writers from the African Diaspora. It is an expansion of the original 2014 book 60 Black Women in Horror. February is African American History Month here in the United States. It is also Women in Horror Month (WiHM). This list of black women who write horror was compiled at the intersection of the two. It consists of an alphabetical listing of the women with biographies, photos, and web addresses, as well as interviews with 17 of these women and an essay by David Watson on LA Banks and Octavia Butler.
The Moment
In 2008 a media firestorm erupted when snippets of Reverend Jeremiah Wright Jr.'s sermons were picked up by media outlets around the world. At that time presidential candidate Barack Obama was a member of Wright's church, Trinity United Church of Christ in Chicago. Wright's words were frequently used to question the patriotism of Obama. The scrutiny over Obama and Wright's relationship made Trinity UCC a flashpoint in the 2008 campaign. The Moment tells the inside story of Trinity UCC during this time of turmoil. Carl and Shelby Grant describe "the Moment" as it unfolded, from Wright's first appearances in the media to Obama's resignation from Trinity Church. They also provide helpful background information, including general history of the black church, African American immigration to Chicago, and black politics in the Windy City. In this context, the voices of Trinity UCC members come alive to show the impact of "the Moment" within and beyond the presidential election, illustrating the thorny intersections of religion, race, politics, and the media in the United States.
Wind Follower
Light-skinned newcomers are changing the Land of the Three Tribes. Dark-skinned Satha and her husband Loic are torn asunder. With the Creator's aid there is hope they will be reunited and find their mutual destiny, even if it means losing the love and respect of their families, clans, and tribes.
Spirit Fruit: Collected Speculative Fiction
This collection of published stories by novelist Carole McDonnell -- author of the acclaimed multicultural Christian fantasy novels Wind Follower and The Constant Tower-- brings together multicultural concerns, spirituality, and speculative fiction. The fantastical elements in these tales range from contemporary worlds to alternate worlds, from Europe to Africa to worlds yet to come. Crusaders amid spiritual battles and courtly love are side by side with African fairies, the non-verbal inhabitants of a non-verbal world, a dying old Jamaican witch, and Asian princes. In this multicultural age, fantasy and supernatural stories are joined to stories about spiritual journeys in our own world and beyond.
The Sevenfold Spell
Have you ever wondered what happens to the other people in the fairy tale? Things look grim for Talia and her mother. By royal proclamation, the constables and those annoying "good" fairies have taken away their livelihood by confiscating their spinning wheel. Something to do with a curse on the princess, they said. Not every young lady has a fairy godmother rushing to her rescue. Without the promise of an income from spinning, Talia's prospects for marriage disappear, and she and her mother face destitution. Past caring about breaking an arbitrary and cruel law, rebellious Talia determines to build a new spinning wheel, the only one in the nation—which plays right into the evil fairy's diabolical plan. Talia discovers that finding a happy ending requires sacrifice. But is it a sacrifice she's willing to make? 23,000 words
Aequanimitas
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Phoenix Tales
These dark, thought-provoking, and sometimes humorous tales masterfully blend elements of science fiction, fantasy, and horror to delve into humanity's never-ending struggle to master death and achieve eternal life.
Bridges between Cultures
Centred on the metaphor of bridges and knots, this volume investigates the dialogic and dialectical relationships between socially dissimilar and topographically distant cultures. The contributions here explore various methodological frameworks for discourses and theories that purport to conceptualize cultural spaces, which – as opposed to objective, geographical areas – are characterized by the propensity to bind topographical distances by means of symbolic ties and perimeters. The chapters address possible juxtapositions and intersections of spatial and temporal dimensions of cultural practice, religious and ethical “ties and knots” between lands and cultures, disconnections between historical, literary and cultural epochs, discourses of cultural entanglement and cultural ensnarement on individual and social levels, and the possibilities of raising aesthetic bridges between various cultures in music, poetry and visual arts, among other topics.
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Fergus
The story of a horse who dares to be different.
