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Paperback edition
Just My Type is not just a font book, but a book of stories. About how Helvetica and Comic Sans took over the world. About why Barack Obama opted for Gotham, while Amy Winehouse found her soul in 30s Art Deco. About the great originators of type, from Baskerville to Zapf, or people like Neville Brody who threw out the rulebook, or Margaret Calvert, who invented the motorway signs that are used from Watford Gap to Abu Dhabi. About the pivotal moment when fonts left the world of Letraset and were loaded onto computers ... and typefaces became something we realised we all have an opinion about. As the Sunday Times review put it, the book is 'a kind of Eats, Shoots and Leaves for letters, revealing the extent to which fonts are not only shaped by but also define the world in which we live.' This edition is available with both black and silver covers.
Joe Harper has backpedaled throughout his life. A once-promising guitar prodigy, he's been living without direction since abandoning his musical dreams. Now into his thirties, having retreated from every opportunity he's had to level up, he has lost his family, his best friend, and his own self-respect.
In addition to examining the form and anatomy of every letter in the alphabet, punctuation marks and special characters, the book examines over 150 typefaces, their origins, and font characteristics, visually explained by full page tables including scale, weight, and useful alternatives. Cross-references allow typefaces to exist in a broader visual culture context, comparing important designs with seminal artpieces and movements, from Gutenbergrsquo;s era to today. Special attention is also given to the aesthetics of the digital age and the choice of the right typeface for a job. Rounding out the guide are an in-depth comparison between sans-serif and serif typefaces, an essay about measuring systems and indications, advice about typographic rules, plus a manual for developing digital fonts.
This substantially revised edition of Lewis Blackwell's classic study provides an up-to-date, decade-by-decade analysis of the issues that have shaped the history and development of typographic design. The book provides an informed and accessible guide to the typography of the twentieth century and the key questions that are shaping contemporary graphic practice. Subjects include the arrival of mass production, the development of the grid, the arrival of new media forms, and the role the launch of the Macintosh played in fostering a new generation of designers enfranchised by digital technology. Beyond the twentieth century, the digital sphere has grown exponentially, placing typographic decisions in the hands of ever more users of computers, smartphones, e-readers, and tablets. Blackwell discusses the strains this has placed on type, the fresh questions it has asked, and the way the forms of letters are evolving in response.
"The Handbook of International School Psychology will be THE major resource on the profession and its various applications in different countries. It is a ′must read′ for school psychologists and professionals from related disciplines who wish to understand, monitor, and shape the field of school psychology." --Scott Huebner, NCSP, University of South Carolina "This book is a very important contribution . . . The authors are all the most well known and respected in their countries, with many years of international experience within the field. The reader gets a firsthand impression of both the vast differences and the many common aspects within the school psychological domain. The broad r...
This is George Sand's second novel. Like Indiana, her first, it explores the relationship between men and women. Valentine, an aristocratic girl, falls despearately in love with Benedict, the son of a poor farmer. Again, like Indiana, this novel challenges preconceived masculine assumptions about woman's role in society. In loving Benedict, Valentine rebels against her family and her class.
Exploring the radical potential of fiction as a tool for social change through speculative design, afro-surrealism, critical fabulations and alternative pedagogies.
One of the main challenges students face upon entering design school is little knowledge of the field, its terminology and best practices. Unsurprisingly, most new students have never fully developed a concept or visual idea, been in a critique, or have been asked to explain their work to others. This book demystifies what design school is really like and explains what will be experienced at each stage, with particular focus on practical advice on topics like responding to design briefs and developing ideas, building up confidence and understanding what is expected. · Student work is critiqued to show how projects are really assessed · Profiles highlight how professional designers themselves address client briefs · Tips for real-life problems are outlined, like getting stuck and dealing with critical feedback Written by experienced instructors, this is the perfect guide for those starting their design education.