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Constantin Brancusi
Text by Carolyn Lanchner.
The Photomontages of Hannah Höch
Here, in the first comprehensive survey of her work by an American museum, authors Peter Boswell, Maria Makela, and Carolyn Lanchner survey the full scope of Hoch's half-century of experimentation in photomontage - from her politically charged early works and intimate psychological portraits of the Weimar era to her later forays into surrealism and abstraction.
Roy Lichtenstein
Survey of important works in the collection of the Museum of Modern Art.
Jackson Pollock
A hardback edition of the popular MoMA Artist Series, with larger reproductions of Jackson Pollock's artwork. Jackson Pollock, widely regarded as the most important painter of the second half of the twentieth century, was the first American artist to capture the public imagination. This book features eleven paintings by Pollock selected from The Museum of Modern Art's substantial collection of his work. His groundbreaking 'drip' paintings of the late 1940s and 1950s are here, along with early and late works demonstrating the fluid interaction between figuration and abstraction in his art and the direction of his painting at his untimely death. A lively essay by Carolyn Lanchner, a former curator of painting and sculpture at the Museum, accompanies each work, illuminating its significance and placing it in its historical moment in the development of modern art and in Pollock's own life.
Vincent Van Gogh
"This volume presents an in-depth look at Vincent van Gogh's painting The Starry Night, one of the most beloved works in the collection of The Museum of Modern Art. An essay by Richard Thomson, Watson Gordon Professor of Fine Art at the University of Edinburgh, and full-color reproductions - including sumptuous details that offer close observation of the artist's singular technique - allow for a deeper understanding of this iconic work."--BOOK JACKET.
Robert Rauschenberg
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Paul Klee, His Life and Work
"In the course of his creativity, Klee developed his artistic will slowly, almost hesitantly. His work formed organically. Undogmatic and open to all graphic life, he let himself be inspired by the art of the past and the present. Fairytale lyrics and grotesque satire, tender jesting and real demonism, profound mysticism and sober romanticism live in Klee's work, which always radiates his personal sphere with all its variety. In this monograph, an immensely compressed picture of the artistic as well as the human side of his career evolves by way of the extensive pictorial material and accompanying essays, a picture which gives information about "Klee's contribution to the expansion of artistic articulation"."--Jacket.
Oppenheim: Object
In 1936, invited by André Breton to contribute to an exhibition of Surrealist objects, Meret Oppenheim (1913-1985) decided to act upon a café conversation she had recently had with Pablo Picasso and his then-companion Dora Maar. Commenting on a fur-covered bracelet that Oppenheim had made for the designer Schiaparelli, Picasso remarked that one could cover just about anything in fur, to which Oppenheim responded, 'Even this cup and saucer.' The resulting sculpture was 'Object, ' a teacup, saucer and spoon purchased from a department store and lined with Chinese gazelle fur. An essay by Carolyn Lanchner, retired Curator of Painting and Sculpture at MoMA, discusses the enigmatic, sensually disturbing nature of this transformed tea set, its sensational impact on its first audiences and its enduring fascination as an icon of Surrealism.
Fernand Léger
Text by Carolyn Lanchner.
Andy Warhol
Survey of important works in the collection of the Museum of Modern Art.
