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Take Five
TAKE FIVE is an eclectic collection of stories about provocative circumstances and intriguing events.............. "Dreams" blurs reality in a macabre interplay between the conscious world and the unconscious imagination. In "e-mail," the Internet extends a global reach of high tech revenge from Washington, D.C. to Central America. EVERMORE follows one man's unusually long journey that starts in the nineteenth century and continues into the twenty-first. "Parfum de Femme" is a sexually charged romp through the world of haute perfume marketing and corporate transgressions. From the SITUATION ROOM, the President and his senior staff try to control escalating events as the world moves toward nuclear cataclysm.
Lewis of Warner Hall
"According to tradition the Lewis family of 'Warner Hall' is descended from the emigrant Robert Lewis, who came [from England] to Virginia in 1635." Descendants lived throughout the United States.
Shadow Song
In the summer of 1955, Madison Lee "Bobo" Murphy was a waiter at the Catskills' Pine Hill Inn. A rural Southerner, he had never heard the word meshugge until Avrum Feldman -- a retired New York City furrier -- became his unlikely friend. For Bobo, nothing about that special time and place ever lost its glow: Avrum's obsession with the haunting voice of a famous opera diva, music that no one else could hear; the exotic mingling of Yiddish and German in the dining room; and the girl he met and loved. In everyone's life, Avrum claimed, there is one grand, undeniable moment that never stops mattering. For Bobo, it was his first glimpse of beautiful Amy Lourie. But, for a wealthy Jewish girl and ...
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Henry Fielding's Novels and the Classical Tradition
In this study, author Nancy A. Mace rectifies the lack of scholarly attention given Henry Fielding's use of the classical tradition in his novels, periodical essays, and miscellaneous writings. Although scholars have extensively studied the affinities between Henry Fielding's novels and such modern genres as the romance, travel literature, and criminal biography, they have paid surprisingly little attention to his use of the classical tradition in developing both his narrative theory and practice.
