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Pete the Cat loves his four groovy buttons... but can he keep singing without them? Pete the Cat is back in another rock’n’roll story about staying positive no matter what life throws at you.
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If you've a favourite feline friend then this book will help you immortalise them in a piece of jewellery! Taking inspiration from our bewhiskered companions, big and small, this book is packed with gorgeous jewelry and accessories to make. This inspiring new title in the Magpie series shows how to make 20 stunning items, all with a cat motif, with clear step-by-step photography and instructions. With projects including cat charm earrings, tiger stripe pendant, wire cat face ring and lion face brooch, there's something to appeal to all tastes. Starting with an easy-to-follow techniques section, the book is packed with inspiration and is designed to cater for all skill levels, especially the novice crafter and those on a budget.
A small girl called Amanda converses with a haughty cat called Panda in this whimsical nonsense-style poem. Inspired by a real cat called Panda, we find out about his slightly superior character, why he is named after another animal and his particular fondness for bamboo. Playing with a 'black and white' theme throughout, magpies, cows and zebras all get a mention, with additional animals popping up in unexpected places. Amanda, Panda and friends come to life with the unique hand-printed illustrations that incorporate striking splashes of color into the black and white palette.
This comedic play is set among the French descended Bouton family, now known as the Buttons. Their annual reunion is the occasion for fun and games, but also for stories perhaps better left untold
The objective of this study is to inquire, from a broad epistemological view, into the underlying nature of fictions, and above all, to discover how it is possible to create and process them. In Chapter One, I put forth four "postulates" in the form of though experiments. in Chapter Two I turn attention to make-believe, imaginary, and dream worlds, and how they can be conceived and perceived only with respect to the/a "real world." Chapter Three includes a discussion of the affinities and differences between one's tacit knowledge of certain aspects of the number system in arithmetic (an ordered series) and the range of all possible fictional entities (an unordered network). In Chapter Four I establish more precisely the relations between one's "real world" and one's fictional worlds in light of the conclusions from Chapter Three. And, in Chapter Five, I attempt to construct a formal model with which to account for the construction of all possible fictional sentences.
There's only one rule in Larry's book: don't push the button. (Seriously, don't even think about it!) Even if it does look kind of nice, you must never push the button. Who knows what would happen? Okay, quick. No one is looking... push the button. Uh, oh.
The book explores the implications that research-density has on the people and places researched, on the researchers, on the data collected and knowledge produced, and on the theories that are developed. It examines the effects that research-density has on the people and places researched, on the researchers, on the data collected and knowledge produced, and on the theories that are developed. By weaving together experiences from a variety of countries and across disciplinary boundaries and research methods, the volume outlines the roots of over-research, where it comes from and what can be done about it. The book will be useful for social science students and researchers working in ethnographic disciplines such as Human Geography, Anthropology, Urban Planning, and Sociology and seeking to navigate the tricky ‘absent present’ of already existing research on their fields of exploration.
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