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Gothic Readings
This is an anthology of Gothic Literature, set within the context of contemporary criticism and readers' responses. It includes selections from the major practitioners and many of their followers, as well as contemporary reviews, private letters and diaries, chapbooks, and contemporary anecdotes about dramatic performances and the design of theatre sets. The selections provide representative samples of the major genres - historical gothic, the Radcliffe school of terror, the Lewis school of horror, tragic melodrama, comic parody, supernatural poetry and ballads, book reviews and literary criticism and anti-Gothic polemic.
The Afterlives of Eighteenth-Century Fiction
This collection of essays offers insights into the ways in which eighteenth-century novels have been adapted and appropriated by later writers. It will be of interest to students of the rise of the novel, interdisciplinary approaches to literature, and the developing field of adaptation studies.
The Handbook of the Gothic
This revised new edition of The Handbook of the Gothic contains over one hundred entries on Gothic writers, themes, terms, concepts, contexts and locations, featuring new entries on writers including Stephen King and Wilkie Collins, new genres and a new Preface which situates the handbook within current studies of the Gothic.
A Gothic Bibliography (Unabridged)
An important and unique work about Gothic fiction, by"the major anthologist of supernatural and Gothic fiction", Montague Summers.
Women Warriors in Romantic Drama
Women Warriors in Romantic Drama advances scholarship on late eighteenth- and early nineteenth-century theater by bringing together, for the first time, female and male dramatists as well as British, German, Irish, and French writers, thinkers, actors, and philosophers. This transnational perspective allows Women Warriors in Romantic Drama to make the provocative claim that in some instances, the violence of the French Revolution--and especially women's participation in it--advances proto-feminist concerns.
English and British Fiction, 1750-1820
This series presents a comprehensive, global and up-to-date history of English-language prose fiction and written ... by a international team of scholars ... -- dust jacket.
The Racialization of the Occult in Nineteenth Century British Literature
This book focuses on the representation of the practitioner of the occult in mid to late nineteenth-century British literature. The occult was a source of emotional support and scientific curiosity during this time of change and uncertainty because it seemed to offer answers to both spiritual and scientific questions through measurable, albeit unconventional, means. However, the occult was also viewed as a threat to British society, an assault on it values, and a fundamental danger to emerging scientific enterprise. By examining the ways in which the occult and its practitioners are represented in British novels from 1850-1900, this book traces the ways that the novels commented on, participated in, and contributed to the racialization of the occult that occurred throughout the nineteenth century in Britain. The representations of the occult characters in these novels interpreted and transmitted the social, political, economic, and scientific discourses about race in the nineteenth century to the reading public, as well as participating in the discourse surrounding race and the occult.
A New Companion to The Gothic
The thoroughly expanded and updated New Companion to the Gothic, provides a series of stimulating insights into Gothic writing, its history and genealogy. The addition of 12 new essays and a section on ‘Global Gothic’ reflects the direction Gothic criticism has taken over the last decade. Many of the original essays have been revised to reflect current debates Offers comprehensive coverage of criticism of the Gothic and of the various theoretical approaches it has inspired and spawned Features important and original essays by leading scholars in the field The editor is widely recognized as the founder of modern criticism of the Gothic
Feminist Comedy
Feminist Comedy: Women Playwrights of London identifies the eighteenth-century comedic stage as a key site of feminist critique, practice, and experimentation. While the history of feminism and comedy is undeniably vexed, by focusing on five women playwrights of the latter half of the eighteenth century--Catherine Clive, Frances Brooke, Frances Burney, Hannah Cowley, and Elizabeth Inchbald--this book demonstrates that stage comedy was crucial to these women’s professional success in a male-dominated industry and reveals a unifying thread of feminist critique that connects their works. Though male detractors denied women’s comic ability throughout the era, eighteenth-century women playwrights were on the cutting edge of comedy and their work had important feminist influence that can be traced to today’s stages and screens.
