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Plums
Starting with one of the best-known poems in the American canon, William Carlos Williams' 'This is Just to Say, ' Kate McLoughlin adopts and transposes Picasso's template for re-imagining Velázquez's Las Meninas onto both Williams' poem and the history of the Velázquez painting. The result is 58 variations - short poems that embody both Williams' pithy wit and the mystery of Picasso's 58 adaptations of Las Meninas; where Picasso's paintbrush transforms Velázquez's muted tones to bold colours, McLoughlin's 'I' says of Williams' Plums, 'They are the last things you'll take of mine.' 'Plums' is a tour de force of transformation, an example of how compelling art can emerge from a chrysalis of absurdity.
Martha Gellhorn: The War Writer in the Field and in the Text
Martha Gellhorn was the doyenne of twentieth century war correspondence. Opinionated, honest and unafraid, she covered conflicts from the Spanish Civil War to Reagan's wars in Central America in the 1980s. This is the first critical study of her Second World War fiction and journalism.
The Cambridge Companion to War Writing
This Companion covers British and American war writing from Beowulf to Don DeLillo.
British Literature in Transition, 1960-1980: Flower Power
This volume traces transitions in British literature from 1960 to 1980, illuminating a diverse range of authors, texts, genres and movements. It considers innovations in form, emergent identities, changes in attitudes, preoccupations and in the mind itself, local and regional developments, and shifts within the oeuvres of individual authors.
Veteran Poetics
Illustrates how war veterans have been used in British literature since the 1790s to explore being, knowing and storytelling.
Publish and Perish: The Practice of Censorship in the British Isles in the Early Modern Period
The development of printing practices during Tudor rule led both to the dissemination of religious and secular knowledge, and the development of a legal arsenal to control it. While the vast majority of studies on censorship regard it as being at the origin of the notion of authorship, critics tend to disagree on its actual influence on early modern writings. Who, among the Church and the secular state, were its main supporters? Did it aim at destroying or removing, punishing or protecting, hampering or regulating? Did it propagate a culture of secrecy or, on the contrary, did it help to circulate new ideas and knowledge by controlling them and making them more acceptable to the masses? If t...
The Oxford Handbook of Ethics and Art
"Art has not always had the same salience in philosophical discussions of ethics that many other elements of our lives have. There are well-defined areas of "applied ethics" corresponding to nature, business, health care, war, punishment, animals, and more, but there is no recognized research program in "applied ethics of the arts" or "art ethics." Art often seems to belong to its own sphere of value, separate from morality. The first questions we ask about art are usually not about its moral rightness or virtue, but about its beauty or originality. However, it is impossible to do any serious thinking about the arts without engaging in ethical questions"--
Rethinking the Secular Origins of the Novel
Challenging concepts of religion and secularism, this book shows the English novel rising with the English Bible, not after it.
Congressional Record
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