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Explores Victorian literature through scent and perfume, presenting an extensive range of well-known and unfamiliar texts in intriguing and imaginative new ways that make us re-think literature's relation with the senses. A selection of poems, essays, and fiction, exploring these texts with reference to both the little-known cultural history of perfume use and the appreciation of natural fragrance in Victorian Britain. It shows how scent and perfume are used to convey not merely moods and atmospheres but the nuances of the aesthete or decadent's carefully cultivated identity, personality, or sensibility.
26 houses photographed in colour and accompanied by informative text about their history.
This challenging and important study, which examines a range of canonical and less well-known writers, is an innovative reassessment of late Victorian literature in its relation to visionary Romanticism. It examines six late Victorian writers - Dante Gabriel Rossetti, Walter Pater, Vernon Lee, Eugene Lee-Hamilton, Theodore Watts-Dunton and Thomas Hardy - to reveal their commitment to a Romantic visionary tradition which surface towards the end of the nineteenth century in response to the threat of growing materialism. Offering detailed and imaginative readings of both poetry and prose, Second Sight shows the different ways in which late Victorian writers move beyond materiality, without losing a commitment to it, to explore the mysterious relation between the seen and the unseen. A major re-evaluation of the post-Romantic visionary imagination, with implications for our understanding of literary modernism, Second Sight will be required reading for scholars interested in the literature of the late Victorian period.
This innovative study of vision, gender and poetry traces Milton's mark on Shelley, Tennyson, Browning and Swinburne to show how the lyric male poet achieves vision at the cost of symbolic blindness and feminisation. Drawing together a wide range of concerns including the use of myth, the gender of the sublime, the lyric fragment, and the relation of pain to creativity, this book is a major re-evaluation of the male poet and the making of the English poetic tradition.The female sublime from Milton to Swinburne examines the feminisation of the post-Miltonic male poet, not through cultural history, but through a series of mythic or classical figures which include Philomela, Orpheus and Sappho. It recovers a disfiguring sublime imagined as an aggressive female force which feminises the male poet in an act that simultaneously deprives and energises him. This book will be required reading for anyone with a serious interest in the English poetic tradition and Victorian poetry.
A radically new version of Anglo-Italian cultural relations in the late Romantic and Victorian periods that corrects traditional male-centred accounts.
Introducing the reader to the work for which Algernon Charles Swinburne is most famous, this title concentrates on three major collections - 'Poems and Ballads 1' (1866), 'Songs Before Sunrise' (1871), and 'Poems and Ballads 2' (1878), as well as a number of his most influential essays.
New York Times bestselling author Cathy Maxwell returns with a delicious new series, The Brides of Wishmore What happens when a bride says maybe? She'd once been the toast of London, but now scandal has brought her down. Still, pretty, petted Lady Tara Davidson can't believe her new fate. She had wanted to marry for love . . . but her profligate father has promised her hand to none other than Breccan Campbell, the "Beast of Aberfeldy" and laird of the valley's most despised clan! Well, Tara may have to marry him, but Breccan can't make her love him—can he? What happens when the groom insists? Breccan Campbell is nobody's fool. He knows that Tara is trouble. Yet he's determined to reform the Campbell name even if it means forging an alliance with the arrogant beauty. There's no doubt that Tara is a challenge, and Breccan loves nothing more. For he's vowed to thoroughly seduce Tara—and make her his in more than name alone.
This, the first collection of essays on the aesthete and intellectual Vernon Lee, offers a wide range of critical writings by scholars. Key works are examined including Euphorion, Hauntings: Fantastic Stories and Music and Its Lovers . New light is shed on Lee's relationships with contemporaries such as Lee-Hamilton, Pater and Wilde.
Appendices accompany vols. 64, 67-71.