You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This book studies the Dutch mathematician Simon Stevin (1548-1620) as a new type of ‘man of knowledge’. Traditionally, Stevin is best known for his contributions to the ‘Archimedean turn’. This innovative volume moves beyond this conventional image by bringing many other aspects of his work into view, by analysing the connections between the multiple strands of his thinking and by situating him in a broader European context. Like other multi-talents (‘polymaths’) in his time (several of whom are discussed in this volume), Stevin made an important contribution to the transformation of the ideal of knowledge in early modern Europe. This book thus provides new insights into the phenomenon of ‘polymaths’ in general and in the case of Stevin in particular.
Vainglory begins in France in 1429, the year of the Siege of Orléans, as Victoire de Gloriole regains possession of the family castle from the English following the Battle of Agincourt. Having consolidated his position by marrying a beautiful Englishwoman, Victoire sets out to rebuild a dynasty and a castle. However some years on, he finds himself without a legitimate heir, and at war with a family of scheming cousins. From Joan of Arc and the 15th century wars with the English through to Catherine de Medici and the slaughter of the Huguenots, Vainglory tells the story of a power-hungry family who will let nothing and no one get in their way. Cleverly plotted and beautifully written, it is a historical novel of rare class.
This book offers clear and detailed strategies for tackling every stage of the documentary editing process, from organizing raw footage and building select reels to fine cutting and final export. Written by a Sundance award-winning documentary editor with a dozen features to his credit and containing examples from over 100 films, this book presents a step-by-step guide for how to turn seemingly shapeless footage into focused scenes, and how to craft a structure for a documentary of any length. The book contains insights and examples from seven of America’s top documentary editors, including Geoffrey Richman, ACE (The Cove, Tiger King), Kate Amend, ACE (¡Viva Maestro!, The Keepers), and Mary Lampson (Harlan County U.S.A.). Written for both practitioners and enthusiasts, this book offers unique and invaluable insights into the documentary editing process. The second edition is completely revised and updated with contemporary examples and contains a new chapter titled, "Editing the Short Documentary."
Assez de miel ! Assez de guimauve ! Assez d’encens ! Pierre Guénin, jeune journaliste bagarreur, a choisi... la « vérit頻, mot galvaudé aujourd’hui côté presse, radio, écran, mais qui reste sa seule raison d’écrire. Depuis trois ans, ses interviews (d’une forme révolutionnaire dont il est le créateur) ont éclaté en feux d’artifice dans le magazine Cinémonde. Déjà, à 17 ans, sa pièce de théâtre "Sans rancune" (une satire féroce sur la jeunesse, qui préfigurait celle des "Tricheurs") avait obtenu un beau succès. À 22 ans, son évocation radiophonique "L’école des clochards" (la déchéance d’une comédienne illustre) avait été chaleureusement accueillie...
Since World War II, aesthetic impulses generated in Italy have swept through every film industry in the world, and in her book Mira Liehm analyses the roots in literature, philosophy, and contemporary Italian life which have contributed to this extraordinary vigor. An introductory chapter offers a unique overview of the Italian cinema before 1942. It is followed by a full and profound discussion of neorealism in its heyday, its difficult aftermath in the fifties, the glorious sixties, and finally by an analysis of the contemporary cinematic crisis. Mira Liehm has known personally many of the leading figures in Italian cinema, and her work is rich in insights into their lives and working methods. This impressive scholarly work immediately outclasses all other available Italian film histories. It will be essential reading for anyone seriously interested in the cinema.