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A dual biography crafted around the famous encounter between the French philosopher who wrote about power and the Russian empress who wielded it with great aplomb. In October 1773, after a grueling trek from Paris, the aged and ailing Denis Diderot stumbled from a carriage in wintery St. Petersburg. The century’s most subversive thinker, Diderot arrived as the guest of its most ambitious and admired ruler, Empress Catherine of Russia. What followed was unprecedented: more than forty private meetings, stretching over nearly four months, between these two extraordinary figures. Diderot had come from Paris in order to guide—or so he thought—the woman who had become the continent’s last ...
In her graceful account of the transformation of European attitudes toward the Ottoman empire during the sixteenth and seventeenth centuries, Lucette Valensi follows the genealogy of the concept of Oriental despotism. The Birth of the Despot examines a crucial moment in the long and ambiguous encounter between the Christian and Islamic worlds: the period after the fall of Constantinople to the Turks, when Venice's pursuit of its commercial and maritime interests brought two powerful protagonists—Venice and the Sublime Porte—face-to-face. Vivaldi's oratorio Juditha Triumphans, in which Judith liberates her besieged town by killing the Turk Holofernes, serves as the organizing metaphor in Valensi's study of how Venice's perceptions of its rival changed. Valensi shows how Venice's initial admiration for the sultan and his orderly empire metamorphosed into revulsion at a monstrous tyrant.
Alexander Radishchev's major work, A Journey from St. Petersburg to Moscow, first published in 1790, was the most scathing denunciation of serfdom and autocracy that had ever appeared in Russia. Its author was immediately arrested, tried for treason, and condemned to death, the sentence being later commuted to exile in Siberia. Catherine the Great, who had provided Radishchev with a schooling in despotism in the Corps des Pages and with an introduction to the Enlightenment at the University of Leipzig, saw in his book a gratuitous insult to herself as well as an attempt to incite a revolt that would bring him to power. Forgetting that many of its ideas were the same as those she had herself expressed earlier, she denounced it as the fruit of foreign abstract theories acting on an excitable, ambitious and resentful man. The Journey was effectively suppressed for more than a century. Any mention of Radishchev was discouraged by the censor for seventy years. A generation after Radishchev's death in 1802, Pushkin's biography of him was refused publication permission on the ground that the subject of it was forgotten and deserved to remain so.
The Imperial Sublime examines the rise of the Russian empire as a literary theme simultaneous with the evolution of Russian poetry between the 1730s and 1840—the century during which poets defined the main questions facing Russian literature and society. Harsha Ram shows how imperial ideology became implicated in an unexpectedly wide range of issues, from formal problems of genre, style, and lyric voice to the vexed relationship between the poet and the ruling monarch.
This book aims to feed into the critical debates about media, power and change through the respectful inclusion of a wide variety of critical approaches and traditions. This diversity is simultaneously structured and balanced by a deeply shared set of concerns, that are mobilised to defend core societal values including social justice, equality, fairness, care for the other and humanity. Critical Perspectives on Media, Power and Change raises questions about how the omnipresent media can contribute to the materialisation of these core values, and how it sometimes works against them. Rethinking social change, mediatisation and regulations are thus significant issues – explicitly addressed in this book. In addition the authors show how the role of the critical media and communication scholar merits and requires (self-)reflection; critical voices matter, but they also face structural limitations. This book was originally published as two special issues of Javnost – The Public.
Neither a comprehensive 'life and times' nor a conventional biography, this is an engaging and accessible exploration of rulership and monarchial authority in eighteenth century Russia. Its purpose is to see how Catherine II of Russia conceived of her power and how it was represented to her subjects. Simon Dixon asks essential questions about Catherin'es life and reign, and offers new and stimulating arguments about the Englightenment, the power of the monarch in early modern Europe, and the much-debated role of the "great individual" in history.
The first detailed analysis in English of monarchy and governance in Korea during King Chŏngjo’s reign. Were the countries of Europe the only ones that were “early modern”? Was Asia’s early modernity cut short by colonialism? Scholars examining early modern Eurasia have not yet fully explored the relationships between absolute rule and political modernization in the highly contested early modern world. Using a comparative perspective that places Chŏngjo, king of Korea from 1776 to 1800, in context with other Korean kings and with contemporary Chinese and European rulers, Christopher Lovins examines the shifting balance of power in Korea in favor of the crown at the expense of the a...