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Elisabeth Louise Vigée Le Brun (1755–1842) was one of the finest eighteenth-century french painters and among the most important women artists of all time. Celebrated for her expressive portraits of French royalty and aristocracy, and especially of her patron Marie Antoinette, Vigée Le Brun exemplified success and resourcefulness in an age when women were rarely allowed either. Because of her close association with the queen Vigée Le Brun was forced to flee France during the French Revolution. For twelve years she traveled throughout Europe, painting noble sitters in the courts of Naples, Russia, Austria, and Prussia. She returned to France in 1802, under the reign of Emperor Napoleon I...
This first-of-its-kind volume assembles current research on psychosocial issues and behavioral and safety concerns inherent in life and careers at sea. Focusing mainly on the commercial maritime transport sector, it sets out the basic concepts of maritime psychology in the contexts of health and occupational psychology and illustrates more expansive applications across nautical domains. A systems perspective and detailed case studies spotlight unique challenges to mariners’ work performance, personal and environmental health and safety; it also provides support for psychometric assessment of seafarers, and describes emerging uses for the healing properties of the sea and sailing. The book ...
"Works of art in their own right, frames play an essential and often overlooked role in complementing the artworks they support. The craft and history of European frames is a fascinating subject, and this volume provides a guide to the frame maker's art from the thirteenth to the nineteenth century." "This handbook features more than two hundred entries - arranged alphabetically from abacus to whiting - that concisely explain the materials and methods involved in the creation of frames. Illustrated with examples from the collection of the J. Paul Getty Museum, this reference tool is invaluable not only to professionals and collectors but also to anyone wishing to increase his or her understanding and enjoyment of frames." --Book Jacket.
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This volume argues for the development of a macro perspective within psychology that more effectively incorporates social structures, systems, policies, and institutions. The book emphasizes how social structures and systems can ultimately promote, or erode, psychological wellbeing. Macropsychology is concerned with “understanding up,” or how we can influence the settings and conditions of the society in which we live. Psychology has traditionally been more interested in “understanding down,” that is, with the behaviour of individuals and groups; in inter-psychic and intra-psychic and in neurological and biological processes. This volume argues that psychology can more effectively co...
Being and value, by J. Zaragüeta y Bengoechea.--The origin of man, by X. Zubiri.--Negation, by J. Gaos.--The juridical notion of the human person and the rights of man, by L. Legaz y Lacambra.--History and truth, E. Nicol.--Vital anxiety, by J.J. López Ibor.--The moralization of power through its self--imitation, by J.L. Aranguren.--The doctor-patient relationship in the general framework of interhuman relationships, by P. Laín Entralgo.--On the singular character of the historical destiny of Europe, by L. Díez del Corral.--On taking things for granted, by J. Ferrater Mora.--The idea of metaphysics, by J. Marías.
Techniques and procedures for collecting and analysing different types of data are examined and analysed in detail. The skills necessary to promote the effectiveness and validity of research within the creative industries are highlighted in case studies, all of which also demonstrate what a well-designed research project can achieve.
Bodin's "The Novel of the Future" was first published in 1834. As a prediction of life in the second half of 20th century, the work scores higher in its anticipation of moral progress than technological ones.
Modern Ideas in Chess is a series of 45 essays dealing with the evolution of game, its leading players, their ideas and contributions to their respective periods. The chronology starts in the Romantic era of Anders-sen and Morphy, continues through the Classical School of Steinitz, Tarrasch, Lasker, and runs to the dawn of the Hypermodern Revolution; the 70 year stretch from 1852 to 1922. Working in small chunks Rti had to be selective in what he extracted from each player and period. Plus the individual elements all had to tie in with the larger canvass Rti was painting for his readers. You dont have to get too far into the book to realize that Rti was a creative artist using the tension of...